My first Short Story Collection – The Infinite Library and Other Stories

I am very happy to announce that Math Paper Press in Singapore is publishing my first collection of short stories. There will be 17 altogether plus a foreword by Lontar Journal founding editor Jason Erik Lundberg. The cover art is by Eisner-award winning artist Sonny Liew.

The Infinite Library and Other Stories will be launched at the Singapore Writer’s Festival this 7 November (Tuesday) 8.30 pm – 9.30 pm at the Gallery II, The Arts House. This will be a Festival Pass event.

“Victor’s keen observational eye represents the clarity of the outsider—the Filipino writing about Singapore, and about the Philippines while apart from it, and about the world and the universe as an emissary of humanity—and you can almost see his verbal abilities stretching with the languidness of a well-fed housecat. Whether through the Ellisonian stylistic gymnastics of “Dyschronometria, or the Bells are Always Screaming”, or the hallucinogenic Phildickian leetspeak of “I m d 1 in 10”, or the faux-academic jargon of “An Excerpt from the Philippine Journal of Archaeology, 4 October 1916”, he pushes the limits of form and trope, all in the service of telling us about ourselves, like a shaman guiding you through a fever dream.

Let his stories, both experimental and conventional, illuminate your way through the darkness, as only someone with a foot in two worlds can do.” – from the foreword by Jason Erik Lundberg,

20170718_163556

The “Surreal Worlds of Southeast Asia” panel at #WorldCon75

Singapore-based Speculative Fiction author and Lontar Journal founding editor Jason Erik Lundberg moderated a lively panel on Southeast Asian Speculative Fiction at yesterday’s #Worldcon75, with Nebula award- winning author Aliette de Bodard and myself. Like my other panel, this one was quite well attended and we were very happy to see that so many people were interested in Southeast Asian speculative fiction.

Aliette and I did a reading from one of our works and we spent the rest of the time taking questions and recommending many fine SEA authors from the region such as Dean Alfar (Philippines), Zen Cho (Malaysia) and JY Yang (Singapore).

P.S. – I provided a quick sneak peak of my first short story collection “The Infinite Library and Other Stories” during this panel 🙂

Surreal SEA Panel 2017 (1)Surreal SEA Panel 2017 (3)Surreal SEA Panel 2017 (4)Surreal SEA Panel 2017 (5)Screenshot_20170725-104758

Lontar No. 6 now Available on Print and ebook

Lontar No. 6 (Founding Editor Jason Erik Lundberg; Poetry Editor Kristine Ong Muslim and Comics Editor Adan Jimenez; published by Epigram) became available in print (from Kinokuniya and directly from Epigram Books) from last 27 April, while the DRM-free ebook is available from Weightless Books.

It features works from Ken Liu,  Eka Kurniawan, J Y Yang, Jennifer Anne Champion, Ng Yi-Sheng, comics from Budjette Tan, Alex Arellano & Kajo Baldisimo, as well as some amazing speculative poetry from  Jonel Abellanosa, Ang Si Min, Russ Hoe, Desmond Kon Zhicheng-Mingdé, Christina Sng, Sokunthary Svay, Krishna Udayasankar, Brendan Walsh and Marco Yan.

Also part of this volume is my Filipino space-opera/family drama “Brother to Space, Sister to Time” which inspired the cover illustration by Sarah and Schooling.

Check out my Pinterest board for this story.

Lontar6

Lontar is the only publication that specializes in Speculative Fiction from and about Southeast Asia. It has published work from some of the finest writers of Science Fiction, Fantasy and Speculative Poetry. Please consider a subscription (from Weightless, link above) or supporting them on Patreon.

A relatively new publication, LONTAR nonetheless publishes high-quality works by award-winning authors. Diverse and under-represented characters and settings are a mainstay of LONTAR‘s fiction, opening the genre to fresh themes and voices, and introducing readers to the rich culture and atmosphere of Southeast Asia.” —Tangent Online

 

 

The first post won’t hurt at all

I never thought that I would ever get anything published.

As a kid in Manila all my stories were rejected simply because they were Science Fiction or Fantasy and publishers didn’t want them. The Filipinos that did read the “Literature of the Fantastic” preferred American or European authors due to a lingering colonial mentality and/or because nothing else was actually available. Save for Japanese cartoons, half-forgotten myths and the occasional meanderings of local realist writers into the surreal, there were no Fantasy, Horror or Science Fiction authors in the Philippines (at least none whose works were readily available). There were also no venues to read or to submit such stories.

I stopped writing for a very long time. Over the next few years I finished school, left the country and started a family. But I never stopped hoping I would find writers outside the Western mainstream, authors who would write Speculative Fiction with my voice, my experience and my point of view.

Then something magical happened early in the new millennium. Because of the efforts of people like Dean and Nikki Alfar, their Litcritters crew, Paolo Chikiamco, Joey Nacino,  Rochita Loenen-Ruiz, Charles Tan, Eliza Victoria, Kenneth Yu and other pioneers,  venues like the Philippine Speculative Fiction anthology series, Philippine Genre Stories and Story Philippines started to appear and somehow, in a way I had not expected, Fantastic stories in all of their strange and delicious flavors became accepted, became (comparatively) popular, and most importantly, became respected.

My wife sent one of my stories to Nikki Alfar and Kate Osias without my knowledge (cheeky girl but I love her so).  To my great surprise it ended up in PSF volume 6 and I haven’t stopped writing (or submitting) since.

cover-PSF6

Later on, I discovered that this renaissance of sorts was also happening (with various degrees of success and acceptance) in many parts of the world outside the Western sphere of influence — including my adopted country of Singapore, where I was lucky enough to become part of Fish Eats Lion (Edited by Jason Erik Lundberg) arguably its first compilation of literary Speculative Fiction.

The Literature of the Fantastic in Southeast Asia is breaking out of the shadows and I am so happy to be part of to this evolving landscape.  I hope you like my stories (particularly the Science Fiction ones) and I would really love it if you dropped me a line at the comments box below or at  vrocampo (at) gmail [dot] com.

Thank you!

Artwork above by Jon Jaylo from the book “Here be Dragons”