Read “The Easiest Way to Solve a Problem” for free on Get Luckier

In 2018 I wrote a near-future science fiction story called “As If We Could Dream Forever” which appeared in Vol. 17 issue of the Quarterly Literary Review of Singapore. The work was set in a city where people surrendered their conscious selves to a corporation’s Artificial Intelligence during working hours. In exchange they got a high salary and the AI developed them into the best possible workers they could be. I had meant it to be a cautionary tale, to inspire horror, but I was the one horrified when I found out that most of my readers actually wanted to live that kind of regimented, automated life.

“The Easiest Way to Solve a Problem” is another short story set in the same near-future version of Singapore. It appears in the e-anthology Get Luckier (Singapore: Squircle Line Press, 2022), edited by Migs Bravo Dutt, Claire Betita de Guzman, Aaron Lee Soon Yong, and Eric Tinsay Valles. This anthology was made possible with support from the Singapore National Arts Council, Philippine National Bank and LBC Express.

Mrs. Mercy Maalala, 33 years old, trained nano-engineer, and a proud Batangueño from Lian, Batangas, begins her employment at Singapore by almost drowning in a vat of microscopic machines. The living computers link her to the Automatic City’s Artificial Intelligence grid which she has agreed to surrender her conscious mind and body for 9 hours every day, five days a week. A strict Non-Disclosure Agreement keeps her from remembering what she did, save for a superficial security log provided to her at the end of every day.

As an expatriate Filipino working in the technology space, I wanted to explore how much imminent future technologies could affect the lives of ordinary Filipinos. Moreover, I wanted to share the experience of Pinoy professionals working overseas, including our dreams, hopes and fears that sometimes don’t quite fit with either the normal OFW or the usual immigrant experience.

Why should Filipinos (or anyone for that matter) read and write Science Fiction? With the publication of Fausto J. Galauran’s Doktor Kuba in 1933, the Philippines actually has the oldest written Science Fiction tradition in Southeast Asia. Despite an early start, the country has had comparatively few serious Science Fiction works in any medium. This is problematic as nothing shapes the vision for a country’s future like Science Fiction does. As historian Yuval Noah Harari has said: “Today science fiction is the most important artistic genre. “It shapes the understanding of the public on things which are likely to change our lives and society more than anything else in the coming decades.”

Read it for free here or scan the QR code below.

Future Currents: Philippines and Singapore

UPDATE: Thank you to everyone who watched us last night! If you missed our panel you can still catch it on YouTube here.

This coming Sunday, the 29th of November, 2020, please join Eliza Victoria, Isabel Yap, Vida Cruz and I as we talk about Speculative Fiction from the Philippines and Singapore (okay, it’s essentially mostly me for the latter) at Future Currents: Philippines and Singapore.

4am: California/Pacific Standard Time (PST) | 6am: Mexico City | 9am: Brasilia | 1pm: Rome | 4pm: Dubai | 8pm: Singapore/Manila | 11 pm: Sydney (AEDT)

Language: English

Panelists:

Eliza Victoria (Philippines) – Eliza Victoria is the author of several books including the Philippine National Book Award-winning Dwellers (2014), the novel Wounded Little Gods (2016), the graphic novel After Lambana (2016, a collaboration with Mervin Malonzo), and the science fiction novel-in-stories, Nightfall (2018). Her fiction and poetry have appeared in several online and print publications, most recently in LONTAR: The Journal of Southeast Asian Speculative Fiction, The Best Asian Speculative Fiction, The Apex Book of World SF Volume 5, and Future SF Digest. Her work has won prizes in the Philippines’ top literary awards, including the Carlos Palanca Memorial Awards for Literature. Her one-act plays (written in Filipino) have been staged at the Virgin LabFest at the Cultural Center of the Philippines.

Isabel Yap (Philippines) – Isabel Yap writes fiction and poetry, works in the tech industry, and drinks tea. Born and raised in Manila, she has also lived in California and London. She holds a BS in Marketing from Santa Clara University, and an MBA from Harvard Business School. In 2013 she attended the Clarion Writers Workshop, and since 2016 has served as Secretary for the Clarion Foundation. Her work has appeared in venues including Tor.com, Lightspeed, Strange Horizons, and Year’s Best Weird Fiction. Herdebut short story collection will be published by Small Beer Press in 2021. She is@visyap on Twitter and her website ishttps://isabelyap.com.

Vida Cruz (Philippines) – Vida Cruz’s fiction has been published or is forthcoming from Strange Horizons, PodCastle, Expanded Horizons, and various anthologies, as well as been longlisted for the British Science Fiction Award. A Clarion graduate and a Tiptree/Otherwise Fellow, she is also a book editor with The Darling Axe.

She lives in Manila with her family and 10 memeable dogs.

Victor Fernando R. Ocampo (Singapore/Philippines) – Victor Fernando R. Ocampo is the author of the International Rubery Book Award shortlisted The Infinite Library and Other Stories (Math Paper Press, 2017) and Here be Dragons (Canvas Press, 2015), which won the Romeo Forbes Children’s Story Award in 2012. His play-by-email interactive fiction piece “The Book of Red Shadows” debuted at the Singapore Writers Festival in 2020.

His writing has appeared in many publications including Apex Magazine, Daily Science Fiction, Likhaan Journal, Strange Horizons, Philippines Graphic, Science Fiction World and The Quarterly Literature Review of Singapore, as well as anthologies like The Best New Singapore Short Stories, Fish Eats Lion: New Singaporean Speculative Fiction, LONTAR: The Journal of Southeast Asian Speculative Fiction, Maximum Volume: Best New Philippine Fiction, and the Philippine Speculative Fiction series.

He is a fellow at the Milford Science Fiction Writers’ Conference (UK) and a Jalan Besar writer-in-residence at Sing Lit Station (2020/2021).

Visit his blog at vrocampo.com or follow him on Twitter @VictorOcampo

The Book of Red Shadows Debuts at the 2020 Singapore Writers Festival

Thank you to everyone who remembered my birthday this week! To say that 2020 has been very difficult (for everyone in the entire world) is certainly an understatement. I am just thankful to be alive and somehow still be able to provide for my family (however diminished this capacity may be). I am also thankful for some small wins on the writing front, such as the launch of my first CYOA interactive narrative.

I am happy to announce that The Book of Red Shadows, my play-by-email story, successfully debuted at this year’s all-digital Singapore Writers Festival from 30 October to 8 November. Thank you so much to the MCCY, the National Arts council and, of course, the SWF team for making this happen. Special thanks also to our producer Sara Y. and the crew of Spaceship Thirteen for putting this project together, as well as to our tireless Game Masters, Wayne Ree, Eugene Lim, Nicholas Chan; our Game Manager, Weiqi Chuah; and Adela Lee, who handled our marketing and promotions.

Lastly, thank you also to the two hundred eighty brave souls from around Singapore and overseas who willingly signed up to be our experimental tests subjects. Your eagerness to have your moral compass sorely tested resulted in our game slots being filled very quickly. Sadly, we had to turn quite a number of people away.

After ten days of playing, about 26% or roughly 72 of you players managed to make it to the end of the story (without your character meeting a horrible or otherwise gruesome end). Congratulations! I hope you enjoyed the experience.

For those who did not get to play, this story was a serialized narrative in ten parts, with an option to follow one of two threads at the end of every chapter. Within a certain narrative limit, reader/players and game masters were able to add elements to personalize their journey, creating a unique story path that couldn’t be played again in the same way. The sole objective of The Book of Red Shadows was to avoid making plot choices that would end the narrative prematurely, as well as to somehow be get to the writer’s original ending (my story ending) despite obstacles and the different ways to get there.

Here’s the synopsis:

Set in 2220, at Singapore’s colony in Mars, where the consciousness of the newly dead are pressed into National Service by the secretive Project Red Shadows. In exchange for a chance to be restored to life, they must help a massive AI alter events in the past for the benefit of Singapore’s colony in Mars. However, things are not what they seem. There are dire consequences whenever they interfere with fate. Moreover, there is a secession movement planning a rebellion against the government from Earth. A digital ghost is haunting the project, and a vicious time hacker is also trying to erase NS operatives from existence for good. The Book of Red Shadows is a dark odyssey about the true nature of time, the consequences of weaponizing artificial intelligence, and the search for hope and meaning in an increasingly bleak world.

An Interactive Story with game-like elements played over email.

The Book of Red Shadows had many media mentions during and after SWF 2020. Here’s a small selection –

It was the most mesmerizing experience I ever had. Every scenario presented was penned in detail as the story launched into more complications than you would ever expect. The choices were open-ended, giving you more control over the path you would like to take. I felt a sense of loss when the 10 days ended, wishing that it would have been longer.” 
IREVIEWUREAD

It’s pretty absorbing. The text sent each day is also, well, uniquely Singaporean and not without a dash of parody. If you like classic CYOA adventures, I strongly encourage you to give this dark saga a try.” 
THE SCRIBBLING GEEK

“(This is) A chance to enter the strange universe of speculative fiction author Victor Fernando R. Ocampo in Play This Story: The Book Of Red Shadows.
THE STRAITS TIMES

Specifically for SWF2020, voices in the SingLit community produced 20 innovative commissions in digital literary works. Begin with Play This Story: The Book of Red Shadows.
ESQUIRE

This year’s offerings include unusual formats such as Play This Story: The Book of Red Shadows.” 
BAKCHORMEEBOY

Fun activities include a psychological horror game that takes place entirely over email (Play This Story: The Book of Red Shadows).”
SG MAGAZINE

Thrill-seekers will enjoy Play This Story: The Book of Red Shadows, an interactive, psychological horror game based on a fictional universe by the speculative fiction author Victor Fernando R. Ocampo.
THE A LIST

Crafted by Singapore-based author Victor Fernando R. Ocampo, the intrigue begins with you freshly deceased – yet kept ‘alive’ by mysterious government technology.
CITY NOMADS

The speculative fiction of Victor Fernando R Ocampo is recast as a choose-your-own-adventure experience taking place entirely over email.
THE BUSINESS TIMES

Play This Story: The Book of Red Shadows (is an) offline interactive (game) that would be sure to keep one on their toes.” 
THE PEAK

Innovative digital events include Play this Story: The Book of Red Shadows, an interactive psychological horror game based on the speculative fiction of Victor Fernando R Ocampo that unfolds over email.” 
SILVERKRIS

SWF also features voices from the community in the form of 20 innovative commissions in digital literary formats. This includes interactive psychological horror game Play This Story: The Book Of Red Shadows, which takes place over email.” 
THE STAR

This year’s innovative offerings include unexpected offline formats as seen in Play This Story: The Book of Red Shadows.”
NAC

Escape Reality Into Magical Worlds

A Google alert yesterday informed me that The Infinite Library and Other Stories was one of ten featured books in Olivia Ho’s Straits Times article “Escape Reality Into Magical Worlds“.

Unable to leave home due to circuit breaker measures or even set foot outside your room due to a home quarantine order? Escape your physical confines through the “uniquely portable magic” of books, as author Stephen King puts it. Here are 10 works of fiction that contain worlds within worlds for you to wander.

  1.  “The Lion, The Witch and the Wardrobe” (1950) by C.S. Lewis
  2.  “Neverwhere” (1996) by Neil Gaiman
  3.  “Sophia and the Utopia Machine” (2018) by Judith Huang
  4.  “His Dark Materials” (1995 to 2000) by Philip Pullman
  5.  “Howl’s Moving Castle” (1986) by Diana Wynne Jones
  6.  “The Star-Touched Queen” (2016) by Roshani Chokshi
  7. “The Night Circus” (2011) by Erin Morgenstern
  8.  “The Eyre Affair” (2001) by Jasper Fforde
  9.  “The Infinite Library and Other Stories” (2017, Math Paper Press) by Victor Fernando R. Ocampo
  10.  “Neverending Story (1979, translated 1983) by Michael Ende (translated by Ralph Manheim)

Happy to be in such distinguished company. Thank you for including my book!

Math Paper Press recently ran a second printing and you can now get a copy again at Kinokuniya, localbooks.sg and BooksActually.

Between 11 to 13 May, 2020 there will be a sale of all Math Paper Press Titles at BooksActuallyshop.com.  Use the code MPP40 when you shop at the online store to get a 40% discount. They deliver internationally.

ST-books-13May2020 paper

n.b. Thank you also to Jason Erik Lundberg for the PDF scan above.


THE INFINITE LIBRARY AND OTHER STORIES (2017, Math Paper Press)
Victor Fernando R. Ocampo

cropped-infinite-library_cover-final-2017-09-12.jpg

This fantastical collection of 17 stories alludes to Argentinian writer Jorge Luis Borges’s idea of an infinite library that contains every book that could possibly be written.
The stories flit from world to world – from an enigmatic map shop to an uprising on a spaceship and to a Bukit Batok housing block where the inhabitants are being slowly but relentlessly transformed into living mathematical equations.

I m d 1 in 10 in Big Echo no.13

Its funny how after you write a story, it’s actually hard to tell whether it will end up in the bin or if it will have publishing legs. Despite taking me close to a year to write, I was so sure my experimental Leetspeak/SMS/Jejemon story I M D 1 In 10 would never find a home because of its challenging use of language. To my surprise, it was picked up first by The Future Fire (July 2014) and then by the anthology Best Singapore Short Stories (2015). Happy to announce that I seem to have completed a hat trick with Big Echo (an online magazine featuring critical Science Fiction stories) featuring it in their 13th issue (devoted to avante-guard Science Fiction works). Thank you to Robert Penner and editor William Squirrell for including it.

Attending Milford 2019

I guess I can share this now.
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I will be attending Milford Writer’s Conference this September at Dyffryn Nantlle (the Nantlle Valley) in the Snowdonia National Park, Wales. Oddly enough this will be the first professional writing workshop that I will attend (not having the confidence and the wherewithal to do so previously).
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The Milford Writers’ Conference, is an annual science fiction writer’s event founded by SF Grand Master Damon Knight (among others) in the mid-1950s.  It’s both a residential workshop and a writers’ conference where published SF writers convene over the course of a week to both intensively critique stories and novels excerpts, as well as to workshop ideas on all aspects of SF writing. Past participants have included James Blish, Samuel Delaney, Harlan Ellison,  Carol Emshwiller, Neil Gaiman, Ursula K. Le Guin, George R. R. Martin, Judith Merril, Robert Silverberg, Bruce Sterling, Kurt Vonnegut, Gene Wolfe and many other familiar names.
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Here’s a cool shout-out for Milford from none other than George R. R. Martin.
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Milford2019
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This has been one of the busiest years for me ever — now that I am responsible for the entire APAC and the Middle East. My work in the Mobile Identity space has been extremely challenging and tech-heavy, so one of the things I am most looking forward to is the chance to be unplugged — at least for a week. The workshop is being held inside a national park where there is limited Wi-Fi availability and absolutely no mobile phone reception. If I need to call work, I have to invest coinage to use a pay phone (imagine that).
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Snowdonia
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Snowdonia is the home of Arthurian legend and the Nantlle valley is the site of one of the tales in the Mabinogi, one of the oldest collections of British Celtic myths. I really hope this inspires me to complete the novel that I have long been working on seemingly forever.
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Interestingly. I will be the first writer from Singapore to be part of Milford. Rochita Loenen-Ruiz was the first Filipino to attend and I am proud to follow in her pioneering footsteps. Am a bit nervous, but definitely looking forward to being there.
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Dymuna bob lwc i fi!
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Singapore’s Centre for Strategic Futures Recommends The Infinite Library

I was surprised to learn that my book, The Infinite Library And Other Stories, was recently featured by the Centre for Strategic Futures on their Recommended Reads site on LinkedIn. The CSF is a think tank under the office of the Prime Minister of Singapore. Thank you so much to Ms Liana Tang, Deputy Head of CSF for her wonderful review!

Infinite CSF Reco

“The Infinite Library And Other Stories”: A “My Book Of The Year” Selection

Singapore Unbound

Singaporean writers, artists, and thinkers, living in Singapore and abroad were asked by the editors of Singapore Unbound for their favorite read of the year. Thank you to Singapore Literature Prize winner Ng Yi-Sheng for selecting my book.

Ng Yi-Sheng, poet, playwright, and fictionist. The Infinite Library and Other Stories by Victor Fernando R. Ocampo (Singapore: Math Paper Press, 2017). This may be the best collection of spec fic stories I’ve ever read by a Singapore-based author. The tales are wonderfully baroque, from a steampunk vision of Filipino national hero José Rizal at a naturist colony to a post-apocalyptic tale of a man cultivating crops and a digital transmitter in the world’s last library. Ocampo takes risks with form—stories are told with multiple endings, in the form of archaeological surveys and in SMS-speak—but manages to make all his tales share a single universe, with the same immortal characters and references (including the eponymous library) popping up in different plots. (I’m also intrigued by how Ocampo complicates our conceptions of Singaporean literature: he began writing in Singapore and is active in the local literary scene, but his fiction reflects his background as a cosmopolitan citizen of the Philippines. He’s got a south-south biculturalism thing going on, and it’s awesome.)

Coincidentally, my favorite Singaporean book of 2018 is Yi-Sheng’s exquisitely surreal Lion City Stories (Epigram, 2018).

You can read the rest of SP Blog’s 5th Annual Books Round-up here.

Where Her Shawl Ends And Her Cat Begins

Deven Philbrick, a writer, essayist and prose editor for the Seattle Review covers “The Infinite Library And Other Stories” for Singapore Unbound:

The distinction between literary and genre fiction has been the topic of much debate in recent years. How the distinction ought to be made and whether the distinction is ultimately useful at all are questions with which many people interested in contemporary fiction are deeply engaged. Although a consensus on the answers certainly does not exist, one significant result of the questions having been posed is a reluctance to dismiss universally so-called genre writers as peddlers of formulaic fictions designed for quick consumption and simple, mass appeal. Science-fiction, for example, is now more than ever taken seriously as literary art. Its potential for imagining alternative realities, for conceiving of other possibilities for organizing a world, makes it a genre with the capacity for profound philosophic investigation. Writers like Samuel R. Delany, Ursula K. Le Guin, Octavia Butler, Thomas Disch, and Joanna Russ are increasingly accepted as towering figures of English-language letters. Victor Fernando Ocampo, author of The Infinite Library and Other Stories, has written a book that puts him among their rank.

Fundamentally, The Infinite Library and Other Stories is a book about possibility, limitation, and the boundary between them. In imagining alternative possibilities and stretching them to the point of snapping, Victor Fernando Ocampo engages in an act of profound political importance, aesthetic significance, and philosophical rigor that is a serious pleasure to ingest. ”

I am so honored and thrilled to get this killer review. I was both stunned and humbled after reading it. You can read the whole review here: Where Her Shawl Ends And Her Cat Begins (which is a line from The Old Blue Notebook, a story which first appeared in Daily Science Fiction).

Thank you to Deven and to Singapore Unbound editor Jee Leong Koh!

ship_s_cat_revised_by_keithspangle-d9omhig

Three Quick Reviews of The Infinite Library And Other Stories

A great big ‘Thank you!” to everyone who has read my book and and an even bigger shout-out to those who have sent me kind words over social media — especially to the three excellent folks below who took the time to write me reviews:

(1) First there is vlogger Rachel Tan who does her Rachel’s Now Reading reviews on Youtube.  You can check out here video here .

Rachel Reads Review

(2) I am a big fan of Ng Yi-Sheng‘s work, whether it be his poetry, stories, performances or his important advocacy work for LGBTQ issues. Thank you for spending some time to read my stories!

Screenshot_20181020-180607_Facebook(3) Lastly, thank you to the anonymous BooksActually Elf that did the review for “The Infinite Library And Other Stories”.  You can read it here.

BooksActually Review

You can get copies of my book delivered to you by BooksActually here.