If you missed our panel “POSTHUMOUS POSTHUMANITY: What’s Beyond The Human Species? Augmentation, Hybridization and Externalization; New Identities Arising in Contemporary Science Fiction” last 4th of September 2021, you can now catch it on YouTube –
UPDATE: Thank you to everyone who watched us last night! If you missed our panel you can still catch it on YouTube here.
This coming Sunday, the 29th of November, 2020, please join Eliza Victoria, Isabel Yap, Vida Cruz and I as we talk about Speculative Fiction from the Philippines and Singapore (okay, it’s essentially mostly me for the latter) at Future Currents: Philippines and Singapore.
4am: California/Pacific Standard Time (PST) | 6am: Mexico City | 9am: Brasilia | 1pm: Rome | 4pm: Dubai | 8pm: Singapore/Manila | 11 pm: Sydney (AEDT)
Eliza Victoria (Philippines) – Eliza Victoria is the author of several books including the Philippine National Book Award-winning Dwellers (2014), the novel Wounded Little Gods (2016), the graphic novel After Lambana (2016, a collaboration with Mervin Malonzo), and the science fiction novel-in-stories, Nightfall (2018). Her fiction and poetry have appeared in several online and print publications, most recently in LONTAR: The Journal of Southeast Asian Speculative Fiction, The Best Asian Speculative Fiction, The Apex Book of World SF Volume 5, and Future SF Digest. Her work has won prizes in the Philippines’ top literary awards, including the Carlos Palanca Memorial Awards for Literature. Her one-act plays (written in Filipino) have been staged at the Virgin LabFest at the Cultural Center of the Philippines.
Isabel Yap (Philippines) – Isabel Yap writes fiction and poetry, works in the tech industry, and drinks tea. Born and raised in Manila, she has also lived in California and London. She holds a BS in Marketing from Santa Clara University, and an MBA from Harvard Business School. In 2013 she attended the Clarion Writers Workshop, and since 2016 has served as Secretary for the Clarion Foundation. Her work has appeared in venues including Tor.com, Lightspeed, Strange Horizons, and Year’s Best Weird Fiction. Herdebut short story collection will be published by Small Beer Press in 2021. She is@visyap on Twitter and her website ishttps://isabelyap.com.
Vida Cruz (Philippines) – Vida Cruz’s fiction has been published or is forthcoming from Strange Horizons, PodCastle, Expanded Horizons, and various anthologies, as well as been longlisted for the British Science Fiction Award. A Clarion graduate and a Tiptree/Otherwise Fellow, she is also a book editor with The Darling Axe.
She lives in Manila with her family and 10 memeable dogs.
Victor Fernando R. Ocampo (Singapore/Philippines) – Victor Fernando R. Ocampo is the author of the International Rubery Book Award shortlisted The Infinite Library and Other Stories (Math Paper Press, 2017) and Here be Dragons (Canvas Press, 2015), which won the Romeo Forbes Children’s Story Award in 2012. His play-by-email interactive fiction piece “The Book of Red Shadows” debuted at the Singapore Writers Festival in 2020.
His writing has appeared in many publications including Apex Magazine, Daily Science Fiction, Likhaan Journal, Strange Horizons, Philippines Graphic, Science Fiction World and The Quarterly Literature Review of Singapore, as well as anthologies like The Best New Singapore Short Stories, Fish Eats Lion: New Singaporean Speculative Fiction, LONTAR: The Journal of Southeast Asian Speculative Fiction, Maximum Volume: Best New Philippine Fiction, and the Philippine Speculative Fiction series.
He is a fellow at the Milford Science Fiction Writers’ Conference (UK) and a Jalan Besar writer-in-residence at Sing Lit Station (2020/2021).
Visit his blog at vrocampo.com or follow him on Twitter @VictorOcampo
Because of the writing and production of The Book of Red Shadows for the Singapore Writers Festival, it’s only now that I’ve gotten around to the other big news for this last quarter of 2020.
I am quite pleased to announce that multi-disciplinary artist nor; poet, fictionist and critic Sam Toh and I have been selected as the three writers-in-residence for the Jalan Besar Writing Residency at Sing Lit Station for the October 2020/March 2021.
I am the third person of Filipino descent to be part of this program, after fictionist and editor Noelle Q. de Jesus and award-winning poet Lawrence Lacambra Ypil.
FutureCon is a global Speculative Fiction conference organized primarily by folks from Brazil – Ana Rüsche, Cristina Jurado (Spain/UAE), Fábio Fernandes, Francesco Verso (Italy), Jana Bianchi, and Renan Bernardo, with help from other people from all around the world.
This year it was held from 17 to 20 September, 2020. Speakers from over 20 different countries participated, including Ann Vandermeer, Aliette de Bodard, Chen Qiufan, Ian McDonald, Lavie Tidhar and Nisi Shawl, as well as other guests from Argentina, Croatia, India, Mexico, Nigeria, Pakistan, Turkey and Uganda, just to name a few.
Because of the Covod-19 pandemic, this year’s conference was completely virtual. It was the very first time I ever participated in a writing event that was recorded via Zoom and broadcast on YouTube (free to view by the general public).
I had the privilege of moderating the first panel of the conference: “Future South & East Asia: What Future is Taking Shape in India, Pakistan, Philippines?” which happened last Thursday 17 September at 8pm in Beijing, Manila and Singapore (Moscow: 3pm | Rome: 2pm | Lagos: 1pm | Brasilia: 9am | New York: 8am | Los Angeles: 5am. My panelists were a virtual whos-who of amazing writers from South Asia which included:
(Moderator) Victor Fernando R. Ocampo (Singapore/Philippines)
Anil Menon (India)
Indrapramit Das (India)
Lavanya Lakshminarayan (India)
Usman Malik (Pakistan)
Note: Special thank you to S.B. Divya for allowing us to use the questions she had originally developed for this panel.
You can watch our panel in it’s entirety on YouTube (you will need to clink through to the link that goes to YouTube as the moderators have disabled it from playing outside their site).
By the way, I will be participating in a follow-up Futurecon event this coming November, so watch this space.
“Unable to leave home due to circuit breaker measures or even set foot outside your room due to a home quarantine order? Escape your physical confines through the “uniquely portable magic” of books, as author Stephen King puts it. Here are 10 works of fiction that contain worlds within worlds for you to wander.“
“The Lion, The Witch and the Wardrobe” (1950) by C.S. Lewis
“Neverwhere” (1996) by Neil Gaiman
“Sophia and the Utopia Machine” (2018) by Judith Huang
“His Dark Materials” (1995 to 2000) by Philip Pullman
“Howl’s Moving Castle” (1986) by Diana Wynne Jones
“The Star-Touched Queen” (2016) by Roshani Chokshi
“The Night Circus” (2011) by Erin Morgenstern
“The Eyre Affair” (2001) by Jasper Fforde
“The Infinite Library and Other Stories” (2017, Math Paper Press) by Victor Fernando R. Ocampo
“Neverending Story (1979, translated 1983) by Michael Ende (translated by Ralph Manheim)
Happy to be in such distinguished company. Thank you for including my book!
Between 11 to 13 May, 2020 there will be a sale of all Math Paper Press Titles at BooksActuallyshop.com. Use the code MPP40 when you shop at the online store to get a 40% discount. They deliver internationally.
n.b. Thank you also to Jason Erik Lundberg for the PDF scan above.
THE INFINITE LIBRARY AND OTHER STORIES (2017, Math Paper Press)
Victor Fernando R. Ocampo
This fantastical collection of 17 stories alludes to Argentinian writer Jorge Luis Borges’s idea of an infinite library that contains every book that could possibly be written. The stories flit from world to world – from an enigmatic map shop to an uprising on a spaceship and to a Bukit Batok housing block where the inhabitants are being slowly but relentlessly transformed into living mathematical equations.
Other Futures is an annual multidisciplinary festival and exhibition that presents speculative visions of the future based in the Netherlands. The conference brings together makers and thinkers from all over the world who use speculative fiction to imagine and build other futures and invites them to share their visions with visitors from diverse walks of life. Like many cons and festivals this year, Other Futures went online because of the Covid-19 pandemic. Last April 11, I gave my first-ever remote lecture which was split into three parts – an Introduction to Asian Science Fiction, sharing my writing process and a short Drabble writing workshop.
For the first 45 minutes, I gave a quick (if woefully condensed) introduction to Asian Science fiction, touching on history as well as significant developments and key writers in (greater) China, Japan, India (+ South Asia) and the Philippines (and SEA).
Afterwards, I shared my writing process for short stories – from how I generate ideas to my tips for publishing. Lastly, we capped it off with a drabble writing workshop for which I gave a critique for those works that were written in English (A drabble is a short work of fiction of precisely one hundred words in length which is much-beloved by Speculative Fiction writers).
You can find a video of the slides I used below.
Thank you so much to the Other Futures team for inviting me and especially to Rochita Loenen-Ruiz for facilitating, translating and generally making magic happen!
Support local bookstores this pandemic quarantine period. They are a treasure to local communities and they need your help more than ever.
Iconic Singapore bookshop Bookactually‘s physical store may be temporarily closed, but let’s continue to support them and their three crazy feline deities online.
Things are not looking very bright for the world right now. The daily cycle of bad news and the challenges of being locked away wear out both our bodies and souls. It is precisely at this time that we need to remember that books can offer a great degree of comfort through the welcome distraction of entertainment, and more importantly, through their accumulated knowledge and wisdom.
Moreover, they also offer hope through dark days. Hope that whatever problems facing us in life, there is a book somewhere that will help deal with it. Until the world reaches a new normal, let’s all ride out this difficult period with a book in hand (or two, or ten).
Copies of the first printing ran out shortly before the 2019 Singapore Writers Festival and the few paperbacks floating around were going for an astonishing USD$35 (SGD$49) each. I am happy to note that you can now buy a brand new copy at the BooksActuallyShop for much less, at only USD$13.35 (SGD$19). If you buy 3 other books, the three cats who run the store, Cake, Pico and Lemon (and their human assistant Kenny Leck) will provide free shipping in Singapore.
“Lovingly spun and told with a keen eye on familial relationships, as well as the inexorable desires of humankind, these stories signal that Ocampo may well be becoming the gold standard in South-east Asian speculative fiction.” – Clara Chow, book review in the Singapore Straits Times.
“Fundamentally, The Infinite Library and Other Stories is a book about possibility, limitation, and the boundary between them. In imagining alternative possibilities and stretching them to the point of snapping, Victor Fernando Ocampo engages in an act of profound political importance, aesthetic significance, and philosophical rigor that is a serious pleasure to ingest.” – Deven Philbrick, prose editor for the Seattle Review writing for Singapore Unbound
“The ideas that power this collection are not just incredibly imaginative, they also weave a hybrid crossing through magical realism, allegory and science fiction, that ‘synchronicity’ Ocampo mentions in one of his stories.” – Elaine Chew, interview at the Asian Books Blog
Very happy to announce that my story “As If We Could Dream Forever” is part of this year’s Best New Singapore Short Stories anthology, edited by the amazing Pooja Nansi (founding editor Jason Erik Lundberg, published by Epigram Books). Set 150 years in the future, this piece deals with the concept of Free Will and using humans as receptacles for AI automation, teenage angst, and extending National Service to young women. It originally appeared in Volume 17 of the Quarterly Literature Review of Singapore.
If you are in Singapore tomorrow, please come to the launch of BNSS Vol. 4 at the 2019 Singapore Writers Festival. The event will be moderated by award-winning poet and author Cy Rai, editors Pooja Nansi and Jason Erik Lundberg will also engage in conversation with writers like Shreya Acharya, Nidhi Arora any myself about the ingredients that make up a remarkable Singaporean story.
Deets: 9 Nov, Sat 8:30 PM – 9:30 PM at the Arts House Living Room
While you are there please drop by my other events and say hello.
Sat, 9 Nov, 11.00am – 12.00pm, Asian Civilisations Museum, Ngee Ann Auditorium
Yuval Noah Harari theorized that religion is humankind’s greatest invention. But do spiritual belief and faith still have a place in this age of science and technology? This conversation considers the relationships between science fiction, science, faith, hyperreality, and the future of humankind.
Sat, 9 Nov, 5.00pm – 6.00pm, The Arts House, Living Room
When writing about intergalactic empires and space adventures, to what extent do writers need to be mindful of scientific plausibility? Should they abide by space travel rules at all? Three writers discuss why they’ve chosen to set their stories in space and how they’ve imagined an entire interstellar universe.
Its funny how after you write a story, it’s actually hard to tell whether it will end up in the bin or if it will have publishing legs. Despite taking me close to a year to write, I was so sure my experimental Leetspeak/SMS/Jejemon story I M D 1 In 10 would never find a home because of its challenging use of language. To my surprise, it was picked up first by The Future Fire (July 2014) and then by the anthology Best Singapore Short Stories (2015). Happy to announce that I seem to have completed a hat trick with Big Echo (an online magazine featuring critical Science Fiction stories) featuring it in their 13th issue (devoted to avante-guard Science Fiction works). Thank you to Robert Penner and editor William Squirrell for including it.