2024 AWP Conference & Bookfair

If you are going going to the 2024 AWP (Association of Writers & Writing Programs) Conference & Bookfair in Kansas City, Missouri this February 7–10, don’t forget to get a copy of my book, The Infinite Library and Other Stories, as well as all these other great books by outstanding Asian authors!

The AWP Conference & Bookfair is the annual destination for writers, teachers, students, editors, and publishers of contemporary creative writing. It includes thousands of attendees, hundreds of events and bookfair exhibitors, and four days of essential literary conversation and celebration. The AWP Conference & Bookfair has always been a place of connection, reunion, and joy, and we are excited to see the writing community come together again in Kansas City, Missouri in 2024.

My SWF 2023 Panels

Thank you again to the organizers of the 2023 Singapore Writers Festival for including me in two panels this year.

On Saturday, 25 November 1pm to 2pm, I will be moderating the panel ” Found Families in Science Fiction ” at the The Arts House, Chamber with Vivian Shaw, Wen-Yi Lee and Jason Erik Lundberg.

Nothing tests the strength of acceptance and belonging more than speculative universes where characters of no relation come together. Add unexpected life-changing adventures in stories, and you get a mishmash of misfits and reluctant heroes, forging unbreakable bonds. Three science fiction and fantasy writers muse on found families, unconventional relationships, and how we can find human connection in the most unlikely corners of existence.

On Sunday, 26 November 12.30pm to 1.30pm, I will be speaking at a panel, ” Young Punks: The Etymology of ‘Punk’ as Subgenre ” at the The Arts House, Play Den with Arkady Martine and
Amber Chen. Our Moderator will be Joyce Chng.

Steampunk and cyberpunk have been the OGs of their sci-fi subgenre, but it looks like there are some new kids in town! Taking a look at young ‘punks’ like dieselpunk, biopunk, and even… oceanpunk(?!), we unpack the ‘punk’ suffix and why it has spawned so many variations. Is it a fetishising of technology or a commentary on technocracies out of control? What kind of tensions do they invite with our past and future? What ties all these punks together and what new punks are being born?

Together in Eclectic Dreams

I am so thrilled to announce that I finally get to share a TOC with the amazing #NeilGaiman! 

⚙️ Eclectic Dreams,  A Milford Anthology ⚙️ is a book that collects some of the amazing fiction that has come out of this long-running workshop over its many years of its existence (including one of my favourite stories, my fellow 2019 resident Tiffani Angus ‘s “Mama Leaf”). Apart from Neil and Tiffani, other contributors include the wonderful Jacey Bedford , Val Nolan, David Langford and many others. You can read a great review here – https://www.runalongtheshelves.net/blog/2023/3/13/eclectric-dreams-the-milford-anthology-edited-by-j-w-anderson-pete-w-sutton-and-liz-williams

Proceeds from this book will fund Milford’s bursary scheme for writers of colour and financially disadvantaged writers. Thank you so much to Liz Williams , Pete Sutton and Jim Anderson for all your work to make this happen! Please support this project and order a copy here – https://www.milfordsf.co.uk/anthology.htm or here – https://linktr.ee/milfordanthology

“Outside the Western Anglophone Hegemony” Connecting Flights panel at the SFWA’s Nebula Awards’ Conference

Please join us online at our “Outside the Western Anglophone Hegemony” Connecting Flights panel at the Science Fiction and Fantasy Writers Association’s Nebula Awards Conference this coming Oct. 8, at 6:00am Pacific | 3:00pm Norway | 6:30pm India | 9:00pm Singapore and the Philippines, with Samit Basu, Lavanya Lakshminarayan, Vida Cruz Borja, myself, and and moderator Regina Kanyu Wang.
We’ll talk about our experiences as Asian writers who publish in the English language and in US markets. We’ll also compare our writing craft, share tropes and traditions, and celebrate our very varied influences. Looking forward to having you all along for a fun ride.
The SFWA Blurb:

The SFWA Events Team is excited to announce our new Connecting Flights panels to serve as a bridge between the 2022 Nebula Conference Online voyage and the 2023 Nebula Hybrid Conference! Our first Connecting Flight is “Outside the Western Anglophone Hegemony: A Conversation on Writing by Asian Writers” on October 8, 2022 @ 6:00am Pacific | 3:00pm Norway | 6:30pm India | 9:00pm Singapore.

Join us as we highlight the experiences of Asian writers who publish in the English language and US markets. Asian writers from across the globe will compare their craft, share tropes and traditions, and celebrate their influences. This panel will be moderated by Regina Kanyu Wang and feature Victor Fernando R. Ocampo, Vida Cruz, Lavanya Lakshminarayan, and Samit Basu.

Connecting Flight live panels will provide more of the fantastic craft and professional development content for which the Nebula Conference is known. If you already have a 2022 conference registration, you’ll be able to tune in live for this panel or watch it later in our archive. If you do not, we have good news! We have dropped the price to $75 for the remainder of our 2022 Nebula Conference Online voyage. Register here: events.sfwa.org

Registration includes our archive of nearly 50 recorded panels from the May 2022 conference weekend, invitations to join the live tapings of Narrative Worlds when they resume late fall, attendance to our Weekly Writing Dates for nonmembers (they are free for SFWA members), and special professional development and networking events throughout the year, such as this first Connecting Flight. Registrations are valid through April 2023.

If you have any questions, please ask us at events@sfwa.org. Don’t miss this Connecting Flight aboard the Airship Nebula on October

Boskone 59: My first con for 2022

Update: Thank you to everyone that came or tuned in to my panels and my reading session! I miss attending cons so much. I hope it was as exciting and informative for you as it was for me. Thank you also (and a big virtual hug) to all those who said that they would look for my book “The Infinite Library and Other Stories. In North America the book is available from Available from Bookshop.org , Amazon.comBarnes & Noble and other selected bookstores. The 10- volume LONTAR, The Journal of Southeast Asian Speculative Fiction is available from the Epigram book shop.

Come and join me for my first speaking engagement this year. I will be a virtual (remote) panelist and reader at Boskone 59, New England’s oldest annual science fiction convention, an event entirely organized and run by amazing fan volunteers from the New England Science Fiction Association (NESFA). More info here.

My Schedule

VIRTUAL: Speculative Fiction from Multilingual Authors Format: Panel
18 Feb 2022, Friday 20:00 – 20:50, Westin Marina III (19 February 09:00AM Singapore time)

Instead of having their stories translated, some non-English authors have chosen to write directly in English. Their personal experiences and the many challenges they face are not well known to the international community, in general, as well as to fandom, in particular. This panel will uncover some of those experiences to provide a better understanding of their work.

With: Jana Bianchi , Vida Cruz, Cristina Jurado, Julia Rios , and Victor Fernando R. Ocampo

VIRTUAL: Brick by Brick: Worldbuilding Future Cities Format: Panel
19 Feb 2022, Saturday 18:00 – 18:50, Westin Marina III (20 February 07:00AM Singapore time)

It takes centuries to build a city; SF authors have less time. How do you write compelling futuristic cityscapes that feel real? Let’s consider how to give your Trantor or Diaspar, Gethen or Blackfish City, Enlivened Cincinnati or Teixcalaan or Silicon Isle new technologies and old buildings; sights, sounds, and smells; history, culture, and peoples. (Plus sanitation.) How much detail do you need? How much can you get away with making up?

With: Kelly Robson, Carrie Vaughn, Michael M. Jones, Victor Fernando R. Ocampo, and Larry Niven

VIRTUAL: Group Reading: Johnson, Martine, Ocampo Format: Reading
19 Feb 2022, Saturday 20:00 – 20:50, Westin Marina III (20 February 09:00AM Singapore time)

With: Les Johnson, Arkady Martine, and Victor Fernando R. Ocampo

See you there!

Late Post: Futurecon 2021

FutureCon – The Future Happens Everywhere

If you missed our panel “POSTHUMOUS POSTHUMANITY: What’s Beyond The Human Species? Augmentation, Hybridization and Externalization; New Identities Arising in Contemporary Science Fiction” last 4th of September 2021, you can now catch it on YouTube –


I talked about the future of humanity with Aliette de Bodard (France), Stanley Chan Chen Qiufan (China), Daniela L. Guzmán (Mexico), Renan Bernardo (Brazil), and our wonderful moderator Leonardo Espinoza Benavides (Chile).

The Book of Red Shadows Debuts at the 2020 Singapore Writers Festival

Thank you to everyone who remembered my birthday this week! To say that 2020 has been very difficult (for everyone in the entire world) is certainly an understatement. I am just thankful to be alive and somehow still be able to provide for my family (however diminished this capacity may be). I am also thankful for some small wins on the writing front, such as the launch of my first CYOA interactive narrative.

I am happy to announce that The Book of Red Shadows, my play-by-email story, successfully debuted at this year’s all-digital Singapore Writers Festival from 30 October to 8 November. Thank you so much to the MCCY, the National Arts council and, of course, the SWF team for making this happen. Special thanks also to our producer Sara Y. and the crew of Spaceship Thirteen for putting this project together, as well as to our tireless Game Masters, Wayne Ree, Eugene Lim, Nicholas Chan; our Game Manager, Weiqi Chuah; and Adela Lee, who handled our marketing and promotions.

Lastly, thank you also to the two hundred eighty brave souls from around Singapore and overseas who willingly signed up to be our experimental tests subjects. Your eagerness to have your moral compass sorely tested resulted in our game slots being filled very quickly. Sadly, we had to turn quite a number of people away.

After ten days of playing, about 26% or roughly 72 of you players managed to make it to the end of the story (without your character meeting a horrible or otherwise gruesome end). Congratulations! I hope you enjoyed the experience.

For those who did not get to play, this story was a serialized narrative in ten parts, with an option to follow one of two threads at the end of every chapter. Within a certain narrative limit, reader/players and game masters were able to add elements to personalize their journey, creating a unique story path that couldn’t be played again in the same way. The sole objective of The Book of Red Shadows was to avoid making plot choices that would end the narrative prematurely, as well as to somehow be get to the writer’s original ending (my story ending) despite obstacles and the different ways to get there.

Here’s the synopsis:

Set in 2220, at Singapore’s colony in Mars, where the consciousness of the newly dead are pressed into National Service by the secretive Project Red Shadows. In exchange for a chance to be restored to life, they must help a massive AI alter events in the past for the benefit of Singapore’s colony in Mars. However, things are not what they seem. There are dire consequences whenever they interfere with fate. Moreover, there is a secession movement planning a rebellion against the government from Earth. A digital ghost is haunting the project, and a vicious time hacker is also trying to erase NS operatives from existence for good. The Book of Red Shadows is a dark odyssey about the true nature of time, the consequences of weaponizing artificial intelligence, and the search for hope and meaning in an increasingly bleak world.

An Interactive Story with game-like elements played over email.

The Book of Red Shadows had many media mentions during and after SWF 2020. Here’s a small selection –

It was the most mesmerizing experience I ever had. Every scenario presented was penned in detail as the story launched into more complications than you would ever expect. The choices were open-ended, giving you more control over the path you would like to take. I felt a sense of loss when the 10 days ended, wishing that it would have been longer.” 
IREVIEWUREAD

It’s pretty absorbing. The text sent each day is also, well, uniquely Singaporean and not without a dash of parody. If you like classic CYOA adventures, I strongly encourage you to give this dark saga a try.” 
THE SCRIBBLING GEEK

“(This is) A chance to enter the strange universe of speculative fiction author Victor Fernando R. Ocampo in Play This Story: The Book Of Red Shadows.
THE STRAITS TIMES

Specifically for SWF2020, voices in the SingLit community produced 20 innovative commissions in digital literary works. Begin with Play This Story: The Book of Red Shadows.
ESQUIRE

This year’s offerings include unusual formats such as Play This Story: The Book of Red Shadows.” 
BAKCHORMEEBOY

Fun activities include a psychological horror game that takes place entirely over email (Play This Story: The Book of Red Shadows).”
SG MAGAZINE

Thrill-seekers will enjoy Play This Story: The Book of Red Shadows, an interactive, psychological horror game based on a fictional universe by the speculative fiction author Victor Fernando R. Ocampo.
THE A LIST

Crafted by Singapore-based author Victor Fernando R. Ocampo, the intrigue begins with you freshly deceased – yet kept ‘alive’ by mysterious government technology.
CITY NOMADS

The speculative fiction of Victor Fernando R Ocampo is recast as a choose-your-own-adventure experience taking place entirely over email.
THE BUSINESS TIMES

Play This Story: The Book of Red Shadows (is an) offline interactive (game) that would be sure to keep one on their toes.” 
THE PEAK

Innovative digital events include Play this Story: The Book of Red Shadows, an interactive psychological horror game based on the speculative fiction of Victor Fernando R Ocampo that unfolds over email.” 
SILVERKRIS

SWF also features voices from the community in the form of 20 innovative commissions in digital literary formats. This includes interactive psychological horror game Play This Story: The Book Of Red Shadows, which takes place over email.” 
THE STAR

This year’s innovative offerings include unexpected offline formats as seen in Play This Story: The Book of Red Shadows.”
NAC

My Panels at FIYAHCON’s Fringe Programming

FIYAHCON is a virtual convention centering the perspectives and celebrating the contributions of BIPOC in speculative fiction. Hosted by FIYAH Literary Magazine. The inaugural event will take place on October 17-18, 2020 and will host a variety of entertaining and educational content surrounding the business, craft, and community of speculative literature.

Where the magazine is focused specifically on the elevation of Black voices in short speculative fiction, FIYAHCON seeks to center the perspectives and experiences of BIPOC (Black, Indigenous, and People of Color).

Thank you to FIYACON, Vida Cruz and Iora Kusano for inviting me to be both a panelist and a moderator. Join us! All the Fringe events are free! You can find my schedule below:

Running A Genre Magazine – Friday 10/16 10:00pm EDT (which will be Saturday 10am in Singapore) with Eliana González Ugarte • Terrie Hashimoto • Salik Shah • Victor Fernando R. Ocampo (Moderator)

To many writers, the inner workings of magazines are utterly opaque. Our panel of editors can give you insight into what things look like on their side of the desk: financial legal considerations, unexpected challenges, how to best promote authors’ work. This panel is great for any author who wants to see how a magazine is made, especially if they’re considering starting a magazine of their own!

Should I Italicize That? – Friday 10/16 02:00am EDT (which will be Saturday 02:00pm in Singapore) with Shiv Ramdas • Zen Cho • Victor Fernando R. Ocampo • Yukimi Ogawa • Iori Kusano (Moderator)

It’s the eternal struggle: why do we italicize takoyaki but not taco? What counts as a loanword? Do italics highlight distinctive aspects of cultures settings, or do they exoticize it? Should we italicize anything at all? Panelists will share how they approach this problem within their own work, including how to discuss it with editors agents.

Futurecon 2020 – My 1st Virtual Conference

FutureCon is a global Speculative Fiction conference organized primarily by folks from Brazil – Ana Rüsche, Cristina Jurado (Spain/UAE), Fábio Fernandes, Francesco Verso (Italy), Jana Bianchi, and Renan Bernardo, with help from other people from all around the world.

This year it was held from 17 to 20 September, 2020. Speakers from over 20 different countries participated, including Ann Vandermeer, Aliette de Bodard, Chen Qiufan, Ian McDonald, Lavie Tidhar and Nisi Shawl, as well as other guests from Argentina, Croatia, India, Mexico, Nigeria, Pakistan, Turkey and Uganda, just to name a few.

Because of the Covod-19 pandemic, this year’s conference was completely virtual. It was the very first time I ever participated in a writing event that was recorded via Zoom and broadcast on YouTube (free to view by the general public).

I had the privilege of moderating the first panel of the conference: “Future South & East Asia: What Future is Taking Shape in India, Pakistan, Philippines?” which happened last Thursday 17 September at 8pm in Beijing, Manila and Singapore (Moscow: 3pm | Rome: 2pm | Lagos: 1pm | Brasilia: 9am | New York: 8am | Los Angeles: 5am. My panelists were a virtual whos-who of amazing writers from South Asia which included:

(Moderator) Victor Fernando R. Ocampo (Singapore/Philippines)

Anil Menon (India)

Indrapramit Das (India)

Lavanya Lakshminarayan (India)

Usman Malik (Pakistan)

Note: Special thank you to S.B. Divya for allowing us to use the questions she had originally developed for this panel.

You can watch our panel in it’s entirety on YouTube (you will need to clink through to the link that goes to YouTube as the moderators have disabled it from playing outside their site).

By the way, I will be participating in a follow-up Futurecon event this coming November, so watch this space.

Other Futures: Intro to Asian SF + My Process of Writing

Other Futures is an annual multidisciplinary festival and exhibition that presents speculative visions of the future based in the Netherlands. The conference brings together makers and thinkers from all over the world who use speculative fiction to imagine and build other futures and invites them to share their visions with visitors from diverse walks of life. Like many cons and festivals this year, Other Futures went online because of the Covid-19 pandemic. Last April 11, I gave my first-ever remote lecture which was split into three parts – an Introduction to Asian Science Fiction, sharing my writing process and a short Drabble writing workshop. 

Other Futures Lecture 2020

For the first 45 minutes, I gave a quick (if woefully condensed) introduction to Asian Science fiction, touching on history as well as significant developments and key writers in (greater) China, Japan, India (+ South Asia) and the Philippines (and SEA). 

Afterwards, I shared my writing process for short stories – from how I generate ideas to my tips for publishing. Lastly, we capped it off with a drabble writing workshop for which I gave a critique for those works that were written in English (A drabble is a short work of fiction of precisely one hundred words in length which is much-beloved by Speculative Fiction writers).

You can find a video of the slides I used below. 

Thank you  so much to the Other Futures team for inviting me and especially to Rochita Loenen-Ruiz for facilitating, translating and generally making magic happen!