Baby Steps with AI Art

A.I. generated art has been around for years. But tools released this year like DALL-E 2, Midjourney and Stable Diffusion — have made it possible for visual-art challenged people like myself to create fairly complex, abstract or photorealistic works simply by typing a few words into a text box.

These are my first attempts to illustrate some of my stories using Midjourney AI. Not incredible but not to shabby either. I could actually use some of these as e-book covers.

However, I am still on the fence about the ethics of A.I.-generated art. Are they a real emergent art form or a high-tech form of plagiarism? WDYT?

“Blessed are the Hungry” – this one came out the best. Funny how the rendered image looks like my youngest daughter.

“I ducked out of sight as soon as I saw the wolf-like mecha, shrouding my lantern with my shirt. Frightful as they were, I was mesmerized by their strange beauty. In the half-light of the Holosonic, their liquid-armor bodies shimmered purple, vermillion and bronze. I imagined these to be the colors of a sun that I had never seen, the burial clothes of a mother-star that we had abandoned so long ago.”

“Infinite Degrees of Freedom” – the blurry shape in the background is Midjourney unable to render a mythical sigbin monster in a spaceship corridor. Why does the kid from my story look like a young Rodrigo Duterte?

“From out of nowhere, Deo smelled an immensely foul odor, a rotting stench filled with the smell of death. A shape coalesced from the blackness, swiftly moving, gibbering, and utterly horrible. A sigben, a vicious half-dog/half-lizard chimera from ancient Philippine Myth had come for him. The impossible monster blocked his path and let loose a frightening roar-bark loud as a thunder clap.”

“Mene, Thecel, Pares” – My account expired before I could redo this with a steampunk Berlin in the background. The protagonist, Joseph Mercado (a fictionalized Jose Rizal) looks a bit cross-eyed.

“Joseph wished he didn’t have to remove his mask. Everywhere he went, people stared at him. Without his mask’s protection, the city’s xenophobic populace would peer from windows or point as he walked past whispering “fremde, außerirdische, ausländer, Asiaten, Japaner, Chinesischer Mann, Korean Mann” –- anything but his own ethnicity.”

“Carry That Weight” – This is supposed to be the older brother, Berto. The two blobs in the background are supposed to be megamouth sharks. Also, the boy’s hair shouldn’t look like that underwater. Must be industrial-strength aquanet.

The smaller boy watched as his brother fished out a pair of smart goggles from his shorts pocket and clipped his phone to his wristband. Berto’s body was dark and tightly muscled. He seemed naked save for the skintight nanotech body suit that kept his body warm and protected it from the sun’s radiation.

Infinite Library Fan Art

I don’t often get fan art so I am really loving this work! Thank you @priscilla_yamaguchi for imagining this beautiful cover for my flash fiction piece “Too See Infinity In The Pages Of A Book”! This story functions as a coda to my short story collection “The Infinite Library And Other Stories”.

End Papers Reveal

It’s been a while since I last posted something.

Today, I want to share the artwork that graces the end papers of the North American edition of The Infinite Library and Other Stories. The digital artwork (below) is called “Panopticon”, 2019 and is by Filipino artist Marius Black (@manilaukiyoe), whose work is often inspired by Japanese Ukiyo-e woodblock prints. The end papers actually use the black and white version of this work which you can also see as the new masthead of my author website.

You can get your copy of my book here.

Apart from scenes from the short story “Panopticon” (Trash anthology: Buku Fixi, 2016), you can see characters and elements from several other tales such as from “Mene, Thecel, Phares” (PSF: Kestrel, 2016) and Here Be Dragons (CANVAS, 2015).

Blessed Are The Hungry – The Comic Book

Fan art is always a wonderful thing. I got a major case of the feels after finding out recently that a Surabaya, Indonesia artist, Aldrich Hezekiah (known on Twitter and DeviantArt as KiaBUGboy) had created a comic book based on my story Blessed Are The Hungry (Apex Magazine Vol. 62, editor Sigrid Ellis). Aldrich is currently pursuing his studies in Digital Art in Singapore. You can see more of his work here.

Thank you so much!

Blessed (1)Blessed (2)Blessed (3)Blessed (4)Blessed (5)Blessed (6)Blessed (7)

It’s interesting how this story is virtually unknown and unread in the Philippines — despite having been translated into Chinese (by one of the translators for Game of Thrones no less) and read by over a million people. It had received great reviews from places as far away as the US, the UK and New Zealand, and has even been used as resource material by a both a High School literature class in Las Vegas, as well as one of the Clarion workshops.

I really need to get my collection published in Manila. But now that VisPrint is gone, does anyone have any suggestions?

The Sands of Pactolus

Pactolus is a river in ancient Lydia (now Modern Turkey) where the ancients once mined gold and electrum. It was said to be the very place where the legendary King Midas divested himself of his golden touch by washing himself in the waters.

The Sands of Pactolus” is also the title of Pop Surrealist/ Neo-Symbolist Gromyko Semper’s first solo show in Singapore (c/o Artesan Art Gallery). If you are in Singapore tomorrow please catch the opening on Thursday 7pm, May 28, 2015 at Artzpace 1, Nassim Road #02-02 Singapore 258458.

Sands of Pactolus

From his bio:

“Semper’s drawings are executed in the manner of Japanese wood-block prints, whilst embodying a personal, invented mythology like William Blake and J.R.R. Tolkien; the symbolists, surrealists and decadents; and up to and including British artist Patrick Woodroffe’s Mythopoeikon (1976) and The Pentateuch of the Cosmogony (1979) and the forerunner of Vienna School of Fantastic Realism, the visionary, Ernst Fuchs. Whilst Semper’s work has some affinity with Albretch Durer’s woodblock style, it stands apart, drawing on Filipino supernatural folk traditions, Christianity, Jungian psychology, the mysteries of the Kabala and Gnostics whilst employing elements of quantum mechanics, alchemy, world mythology, the occult, classical art symbolism, art nouveau and erotic drawings.”

Gromyko also illustrated one of my short stories “A Secret Map of Shanghai” (which originally appeared in Strange Horizons). This will be included in a future collection of my short stories. Here’s a teaser:

ASecretMapof Shanghai.-Detail