About Victor Fernando R. Ocampo

Victor Fernando R. Ocampo is a Singapore-based Filipino writer. He is the author of The Infinite Library and Other Stories (Math Paper Press, 2017) and Here be Dragons (Canvas Press, 2015), which won the Romeo Forbes Children’s Story Award in 2012. His writing has appeared in many publications including Apex Magazine, Daily Science Fiction, Likhaan Journal, Strange Horizons, Philippine Graphic, Science Fiction World and The Quarterly Literature Review of Singapore, as well as anthologies like The Best New Singapore Short Stories, Fish Eats Lion: New Singaporean Speculative Fiction, Lontar: The Journal of Southeast Asian Speculative Fiction, Maximum Volume: Best New Philippine Fiction, and the Philippine Speculative Fiction series. Visit his blog at vrocampo.com or follow him on Twitter @VictorOcampo

“The Infinite Library And Other Stories” a My Book Of The Year Selection

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Singaporean writers, artists, and thinkers, living in Singapore and abroad were asked by the editors of Singapore Unbound for their favorite read of the year. Thank you to Singapore Literature Prize winner Ng Yi-Sheng for selecting my book.

Ng Yi-Sheng, poet, playwright, and fictionist. The Infinite Library and Other Stories by Victor Fernando R. Ocampo (Singapore: Math Paper Press, 2017). This may be the best collection of spec fic stories I’ve ever read by a Singapore-based author. The tales are wonderfully baroque, from a steampunk vision of Filipino national hero José Rizal at a naturist colony to a post-apocalyptic tale of a man cultivating crops and a digital transmitter in the world’s last library. Ocampo takes risks with form—stories are told with multiple endings, in the form of archaeological surveys and in SMS-speak—but manages to make all his tales share a single universe, with the same immortal characters and references (including the eponymous library) popping up in different plots. (I’m also intrigued by how Ocampo complicates our conceptions of Singaporean literature: he began writing in Singapore and is active in the local literary scene, but his fiction reflects his background as a cosmopolitan citizen of the Philippines. He’s got a south-south biculturalism thing going on, and it’s awesome.)

Coincidentally, my favorite Singaporean book of 2018 is Yi-Sheng’s exquisitely surreal Lion City Stories (Epigram, 2018).

You can read the rest of SP Blog’s 5th Annual Books Round-up here.

Chicken Rice and Adobo: A Reading and Panel Discussion

The 2018 Singapore Writers Festival finally came to a close for me with this final reading and panel discussion: Chicken Rice and Adobo: What We Love about the Philippines and Singapore.

Increased trade and cultural exchanges between Singapore and the Philippines have led to shared experiences and stories in prose and poetry. This session continues a literary dialogue that has spawned joint anthologies and readings. Listen to the featured writers read excerpts of their works and join in the fellowship centered on what we love such as comfort food, cultural diversity and a good story.

The rain was pouring heavily abut somehow most of the speakers and the audience managed to make their way to the HideOut@Funan Showsuite, at the corner of Hill Street and High Street. Thank you to the free rain ponchos provided by the organizers!

The event last 11 November was meant to celebrate the literary dialogue born from the long cultural exchange between Singapore and the Philippines. Poet and Director of the Poetry Festival Singapore, Eric Tinsay Valles (A World in Transit) moderated the lively panel made up of poet Aaron Lee (Coastlands), novelist Claire Betita de Guzman (Miss Makeover), poet and essayist Lawrence Ypil (The Highest Hiding Place), poet, playwrite and poet Heng Siok Tian (Is My Body A Myth) and myself.  Author and poet Felix Cheong (Singapore Siu Dai: The SG Conversation In A Cup) was unable to attend due to an illness.

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Speculative Fiction as Moral Compass

This is an exceedingly late post on our #SWF2018 panel “Speculative Fiction as Moral Compass” last Saturday 10 November with Rachel Heng (The Suicide Club), Nuraliah Norasid (The Gatekeeper) and myself, with  Khoo Sim Eng (who heads the Film Studies Minor at SUSS) as our intrepid moderator.

As you can see from the pictures, we had a very lively discussion talking about the role Speculative Fiction can play in talking about Ethics. This was the most well-attended Singapore Writers Festival event that I was a part of. The organizers had to open a second room to accommodate the standing-room-only crowd.

“From pursuing immortality to eradicating marginalization, speculative fiction reveals the deepest desires of humankind. How can the genre prompt readers to assess humanity’s moral progress, and to rethink what could be right or wrong? This panel brings together authors across science fiction and fantasy to discuss the potentialities of the genre.”

Pictures above courtesy of Khoo Sim Eng and husband.

Lontar Retrospective at #SWF2018

We celebrated 10 issues of LONTAR: The Journal of Southeast Asian Speculative Fiction last 8 November at a retrospective panel sponsored by #BooksActually. The event was held at the sidelines of  @SGwritersfest #SFW2018, and hosted by Michelle Martin of MONEY FM 89.3.  Christina Sng and I were on the panel, along with founding editor Jason Erik Lundberg. In the audience were comics editor Adan Jimenez and several contributors such as Theo Melwani and Wayne Rée. Poetry editor Kristine Ong Muslim could not be around (but was definitely there in spirit).

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With our favorite LONTAR covers (L-R) Michelle Martin holds a copy of Vol 6; Christina Sng picked Vol 5; me with Vol 9, and Jason with Vol 10. The cover of Volume 6 illustrates my story “Brother To Space, Sister To Time” while Volume 9 featured another of my stories “Father Is The Blood, Mother Is The Wine”.

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Michelle introducing Christina.

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Shortly after Christina talked about pontianaks, this ghostly bride appeared above us.

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With New York based writers Ellie Rhymer and Manish “Theoretical Starchild” Melwani (who contributed “The Tigers of Bengal” in issue #7 and “Sejarah Larangan; or, “The Forbidden History of Old Singapura” in issue #10).

Classroom Series: The Influence of Science Fiction on Modern Science

Given my really late Monday night slot, I was almost sure no one would come to my solo talk “The Influence of Science Fiction on Modern Science”. Instead, we had a full room at the Artshouse.

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The audience had been promised an informative and entertaining evening. I hope I delivered.

Thank you to my content maven wife Patricia Mulles (for creating a beautiful deck from my notes), the Singapore Writers Festival, and to everyone who took the time to attend.

You can watch a video of my slides below:

Here are my notes draft script for the lecture:

The Influence of Science Fiction on Modern Science

 05 Nov, Monday 8.30pm – 9.30pm (60 Minutes)  Venue: The Arts House, Living Room

What were the science fiction works that came before modern science? Published in 1818, Mary Shelley’s Frankenstein has been argued to be the first sci-fi novel. Since then, authors such as Ray Bradbury and Arthur C. Clarke have imagined what science could achieve through their writing. In this Classroom Talk, sci-fi author Victor Fernando R. Ocampo explores the relationship between literature and the sciences, and how science fiction has actually inspired, and continues to inspire, the science of today.

  1. A Bit About Me

Good evening.

My name is Victor Fernando R. Ocampo and I am a Singapore-based Filipino Writer of Speculative and Experimental Fiction. In my day job I work with both Artificial Intelligence and Telecommunication systems. I have been part of companies like Yahoo, the SIM card manufacturer Gemalto, the ethical hackers Cellebrite, and Singapore Technologies, where I worked on a number of Defense projects.

  1. Why Fiction is Important: The Role of Fiction

“Large numbers of strangers can cooperate successfully by believing in common myths. Any large-scale human cooperation – whether a modern state, a medieval church, an ancient city or an archaic tribe – is rooted in common myths that exist only in people’s collective imagination.”  ― Yuval Noah Harari, Sapiens: A Brief History of Humankind (2011)

Harari argued that the ability to create fiction was what made Homo sapiens the apex species and allowed mankind to conquer the Earth.

Inside every work of fiction is a dream and we dream to achieve goals or solve problems.

  1. Science as a Plot Device – What is Science Fiction?

Science fiction stories puts our hard, tangible Scientific knowledge into the cultural context of the real world.

The funny thing about SF is that there is no universally accepted definition for Science Fiction. In fact, grand master Damon Knight once said that “Defining Science Fiction results only in bloody knuckles.”

  1. Foreshadowing vs. Inspiration – Something between an educated guess and a coincidence

The subject of this talk is very specifically books or works of fiction that have directly inspired a specific scientific advancement or technology.

However there are many more instances where they seem to have the predicted the future.

  • Frankenstein or, the Modern Prometheus (1818) was inspired by the emerging science of Galvanism (the contraction of a muscle that is stimulated by an electric current). It in turn presaged Organ Transplants and Defibrillator technology.
  • 2001 A space odyssey presented a compelling case for Video Calling. It also inspired the tablet and voice control
  • Fahrenheit 451 by Ray Bradbury in 1953 presaged Blue Tooth Technology in the wireless earpieces used by the “Fire Men” to coordinate where they would burn books.
  • Looking Backward: 2000–1887 by Edward Bellamy (1888) contained the first description of Credit and Debit Cards. Read chapters 9, 10, 11, 13, 25, and 26, but these actually function like modern debit cards. It was also the first to envision door-to-door delivery and cooperatives like Sam’s Club and NTUC.

“… a credit card issued him with which he procures at the public storehouses, found in every community, whatever he desires whenever he desires it. This arrangement, you will see, totally obviates the necessity for business transactions of any sort between individuals and consumers.” – Edward Bellamy, Looking Backward, 1888

  1. (1) Top 5 Tech – The Submarine 

USS Nautilus (SSN-571) – USS Nautilus (SSN-571) was the world’s first operational nuclear-powered submarine and the first submarine to complete a submerged transit of the North Pole on 3 August 1958. It was named after the fictional submarine from 20,000 Leagues Under The Sea.

However Verne’s book did not actually inspire the creation of the submarine. The first submersible of whose construction there exists reliable information was designed and built in 1620 by Cornelis Drebbel, a Dutchman in the service of James I of England. It was propelled by means of oars.

in 1800, American Robert Fulton invented a hand-cranked submarine and tested it in the Seine river in Paris. It is often considered to be the first practical submarine. Fulton’s Nautilus inspired Jules Verne to give his fictional creation the same name.

A model of the French submarine Plongeur (launched in 1863) was displayed at the 1867 Exposition Universelle, where it was studied by Jules Verne. This submarine was the direct inspiration for the book “Twenty Thousand Leagues Under the Seas: A Tour of the Underwater World” which was published in 1870.

The Nautilus’ original inspiration, the Plongeur, was a very primitive craft that ran on a compressed air engine and did not have a good system for retaining air. Jules Verne worked all of these kinks out in his story by incorporating ballasts as refillable air pumps and using electric motors.

Verne’s book  inspired Spanish engineer Narcís Monturiol to design the first air–independent and combustion–powered submarine, the Ictineo II.

  1. (2) Top 5 Tech – Atomic Power

“The World Set Free” was a novel written in 1913 and published in 1914 by H. G. Wells. It originally appeared first in serialized form with a different ending as A Prophetic Trilogy, consisting of three books: A Trap to Catch the Sun, The Last War in the World and The World Set Free.

Wells was inspired to write this book after reading the work of William Ramsay, Ernest Rutherford, and especially Frederick Soddy, who discovered the disintegration of uranium). Soddy would later praises “The World Set Free” for its prescient views on Atomic power.

Wells’s novel had directly influenced the development of nuclear weapons, as the physicist Leó Szilárd read the book in 1932 — the same year the neutron was discovered. In 1933 Szilárd conceived the idea of neutron chain reaction, and filed for patents for a Nuclear reactor on it in 1934 with Enrico Fermi. In late 1939 wrote the letter for Albert Einstein’s signature that resulted in the Manhattan Project that built the atomic bomb.

  1. (3) Top 5 Tech – The Internet

“Dial F For Frankenstein” was a 1961 short story by Arthur C Clark that inspired Sir Timothy John Berners-Lee to create the World Wide Web.

It foretold an ever-more-interconnected telephone network that spontaneously acts like a newborn baby and leads to global chaos as it takes over financial, transportation and military systems”

Other notes from Tech by Clarke –

  • Clarke was the first to suggest that satellites which remain at a fixed point relative to Earth could be used for worldwide communications. The geostationary orbit is now known as the “Clarke orbit”.
  • In his novel Rendezvous With Rama, Clarke created “Project Spaceguard”, a system to track asteroids that might collide with Earth. When such a system was set up in 1996, it was called “Spaceguard”, in homage.

My favourite prediction:

In The Fountains of Paradise (1979), a “space lift”, a geostationary satellite tethered to the Earth’s surface, allowed people and goods to travel up and down without having to blast into orbit. Carbon nanotubes may make the 22,000-mile-long tether feasible.

8. (4) Top 5 Tech – Virtual Worlds or the Metaverse

Snow Crash by Neal Stephenson, published in 1992 was the inspiration for Second Life.

The Metaverse, a phrase coined by Stephenson as a successor to the Internet, constitutes Stephenson’s vision of how a virtual reality-based Internet might evolve in the near future. Resembling a massively multiplayer online game (MMO), the Metaverse is populated by user-controlled avatars as well as system daemons.

The Metaverse is a collective virtual shared space, created by the convergence of virtually enhanced physical reality and physically persistent virtual space, including the sum of all virtual worlds, augmented reality, and the internet.

Second Life creator Philip Rosedale formed Linden Lab with the intention of developing computer hardware to allow people to become immersed in a virtual world. He initially credited Snowcrash as an inspiration in many early interviews but has since retracted this for legal reasons.

  1. (5) Top 5 Tech – The Mobile Phone

“Star Trek” by Gene Roddenberry debuted in 1966

The first handheld cellular mobile phone was demonstrated by John F. Mitchell and Martin Cooper of Motorola in 1973, In 1983, the DynaTAC 8000x was the first commercially available handheld mobile phone.

  1. The Relationship between Science Fiction and Real Science
  • Science fiction authors are inspired by actual scientific and technological discoveries
  • Scientists, in turn, often derive inspiration from the imaginative possibilities that exist in fictional worlds
  • The inventions in fictional worlds seldom transition to the real world—at least not in the way they are first imagined.
  • Science Fiction and the pursuit of Science form an endless loop that keeps iterating to solve the problems of human existence.
  1. Conclusion

If you are a scientist READ MORE SCIENCE FICTION.  Science fiction is required reading for a lot of schools like MIT. There are actually think thanks that get paid to read science fiction to mine it for ideas.

If you are a writer DON”T BE AFRAID To use SCIENCE AND TECHNOLOGY AS INSPIRATION to solve the deep and existential questions of humanity. The issue with our education system is that disseminated knowledge is not the best way to learn something. Nobody learns by passive consumption. People learn when they want to learn and they are most attracted to stories.

Great science fiction stories puts our hard, tangible knowledge into the cultural context of the real world. The best SF stories have one job: to evoke a sense of curiosity in you and to teach you to enjoy learning for its own sake.

I personally feel that Science Fiction is the most important genre of literature, in the sense that it doesn’t only educate, it forces us to constantly dream of the future.  And if we cannot dream, we cannot change.

So, read and, if you have the passion, write some Science Fiction today.

Thank you very much for listening on my thoughts on this topic. Now I’d like to hear from you.

The Familiar and The Alien

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I greatly enjoyed moderating “The Familiar And The Alien” panel last Sunday, November 4. My amazing speakers included Rachel Heng whose novel “Suicide Club” is set in a near future in New York City where people can live for 300 years; Krishna Udayasankar, a Singapore-based Indian author known for her modern retelling of Mahabharata through her Aryavartha Chronicles; and Kass Morgan, author of “The 100” series (the basis of the eponymous CW TV show).

We discussed how it was the role of writers to introduce readers to new worlds and experiences. But how do we make stories believable without loosing the wonder of the unfamiliar, or wandering into exoticizing?

Thank you #SingaporeWritersFestival 2018; panelists Rachel, Kris and Kass; and everyone who attended the event!

Breakout: A Gala Reading at the #SWF2018

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Thank you to everyone who attended “Breakout: A Gala Reading” at the Singapore Writers Festival last Saturday, (November 3), and especially to our moderator Stephanie Dogfoot.

It was such a great privilege to be able to share my work in the company of literary luminaries such as Australian poet Adam Aitken; Russian poet and Science Fiction Author Maria Galina; Hong Kong poet and editor of Fleurs des Lettres Law Lok Man, Louise 羅樂敏;  PEN Open Book Award-winning author Nina McConigley from Wyoming in the United States; Sithuraj Ponraj, who won the Singapore Literature Prize for Tamil Fiction; and most especially the magisterial Yoko Tawada who has won numerous Japanese and German literary awards including the Akutagawa Prize, the Tanizaki Prize, the Noma Literary Prize, the Izumi Kyōka Prize for Literature, the Gunzo Prize for New Writers, the Goethe Medal, and the Kleist Prize.

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Our excellent moderator Stephanie Dogfoot

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Isabella with Yoko Tawada

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