The Singapore Writers Festival is celebrating its 20th anniversary this year and I am happy to be part of an event that includes such literary and genre heavy weights such as Gemino Abad, Dean Alfar, Simon Armitage, Aliette de Bodard, Shelly Bryant, Junot Diaz, Ken Liu, Marjorie Liu, Isa Kamari, Jason Erik Lundberg, Ng Yi-Sheng, Tony Parsons, Edwin Thumboo , Cyril Wong and JY Yang to name just a few.
The festival’s theme this year is the Tamil word அரம் (Aram) whose meaning embodies goodness, equity and justice. Used extensively in older Tamil literature, it is a word has rich connotation and an ideal of goodness and generosity for humanity to aspire to. It is today a quality much needed in our increasingly complex and difficult world.
Some of the best Science Fiction stories also share this normative, Utopian vision and I hope to be able to talk about it in my panels. You can find my SWF schedule here:
I am very happy to announce that Math Paper Press in Singapore is publishing my first collection of short stories. There will be 17 altogether plus a foreword by Lontar Journal founding editor Jason Erik Lundberg. The cover art is by Eisner-award winning artist Sonny Liew.
The Infinite Library and Other Stories will be launched at the Singapore Writer’s Festival this 7 November (Tuesday) 8.30 pm – 9.30 pm at the Gallery II, The Arts House. This will be a Festival Pass event.
“Victor’s keen observational eye represents the clarity of the outsider—the Filipino writing about Singapore, and about the Philippines while apart from it, and about the world and the universe as an emissary of humanity—and you can almost see his verbal abilities stretching with the languidness of a well-fed housecat. Whether through the Ellisonian stylistic gymnastics of “Dyschronometria, or the Bells are Always Screaming”, or the hallucinogenic Phildickian leetspeak of “I m d 1 in 10”, or the faux-academic jargon of “An Excerpt from the Philippine Journal of Archaeology, 4 October 1916”, he pushes the limits of form and trope, all in the service of telling us about ourselves, like a shaman guiding you through a fever dream.
Let his stories, both experimental and conventional, illuminate your way through the darkness, as only someone with a foot in two worlds can do.” – from the foreword by Jason Erik Lundberg,