Best New Singapore Short Stories Volume 4

Very happy to announce that my story “As If We Could Dream Forever” is part of this year’s Best New Singapore Short Stories anthology, edited by the amazing Pooja Nansi (founding editor Jason Erik Lundberg, published by Epigram Books). Set 150 years in the future, this piece deals with the concept of Free Will and using humans as receptacles for AI automation,  teenage angst, and extending National Service to young women. It originally appeared in Volume 17 of the Quarterly Literature Review of Singapore.

If you are in Singapore tomorrow, please come to the launch of BNSS Vol. 4 at the 2019 Singapore Writers Festival. The event will be moderated by award-winning poet and author Cy Rai, editors Pooja Nansi and Jason Erik Lundberg will also engage in conversation with writers like Shreya Acharya, Nidhi Arora any myself about the ingredients that make up a remarkable Singaporean story.

Deets: 9 Nov, Sat 8:30 PM – 9:30 PM at the Arts House Living Room

While you are there please drop by my other events and say hello.

Sat, 9 Nov, 11.00am – 12.00pm, Asian Civilisations Museum, Ngee Ann Auditorium

Yuval Noah Harari theorized that religion is humankind’s greatest invention. But do spiritual belief and faith still have a place in this age of science and technology? This conversation considers the relationships between science fiction, science, faith, hyperreality, and the future of humankind.

Featuring: Chen Qiufan (Stanley Chan), JY Yang, Tony Estrella

Moderator: Victor Fernando R. Ocampo

Sat, 9 Nov, 5.00pm – 6.00pm, The Arts House, Living Room

When writing about intergalactic empires and space adventures, to what extent do writers need to be mindful of scientific plausibility? Should they abide by space travel rules at all? Three writers discuss why they’ve chosen to set their stories in space and how they’ve imagined an entire interstellar universe.

Featuring: Victor Dixen, Boey Meihan, Victor Fernando R. Ocampo

Moderator: Jason Erik Lundberg

My Singapore Writers Festival 2019 Schedule

SWFVersionThree_V1_BlackWow, where did the year go? It’s hard to believe we are coming to that time of year when the Singapore Writers Festival comes a cracking.  I have two events this year, the details of which are listed below:

Sat, 9 Nov, 11.00am – 12.00pm, Asian Civilisations Museum, Ngee Ann Auditorium

Yuval Noah Harari theorized that religion is humankind’s greatest invention. But do spiritual belief and faith still have a place in this age of science and technology? This conversation considers the relationships between science fiction, science, faith, hyperreality, and the future of humankind.

Featuring: Chen Qiufan (Stanley Chan), JY Yang, Tony Estrella

Moderator: Victor Fernando R. Ocampo

Sat, 9 Nov, 5.00pm – 6.00pm, The Arts House, Living Room

When writing about intergalactic empires and space adventures, to what extent do writers need to be mindful of scientific plausibility? Should they abide by space travel rules at all? Three writers discuss why they’ve chosen to set their stories in space and how they’ve imagined an entire interstellar universe.

Featuring: Victor Dixen, Boey Meihan, Victor Fernando R. Ocampo

Moderator: Jason Erik Lundberg

 

Lontar Retrospective at #SWF2018

We celebrated 10 issues of LONTAR: The Journal of Southeast Asian Speculative Fiction last 8 November at a retrospective panel sponsored by #BooksActually. The event was held at the sidelines of  @SGwritersfest #SFW2018, and hosted by Michelle Martin of MONEY FM 89.3.  Christina Sng and I were on the panel, along with founding editor Jason Erik Lundberg. In the audience were comics editor Adan Jimenez and several contributors such as Theo Melwani and Wayne Rée. Poetry editor Kristine Ong Muslim could not be around (but was definitely there in spirit).

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With our favorite LONTAR covers (L-R) Michelle Martin holds a copy of Vol 6; Christina Sng picked Vol 5; me with Vol 9, and Jason with Vol 10. The cover of Volume 6 illustrates my story “Brother To Space, Sister To Time” while Volume 9 featured another of my stories “Father Is The Blood, Mother Is The Wine”.

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Michelle introducing Christina.

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Shortly after Christina talked about pontianaks, this ghostly bride appeared above us.

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With New York based writers Ellie Rhymer and Manish “Theoretical Starchild” Melwani (who contributed “The Tigers of Bengal” in issue #7 and “Sejarah Larangan; or, “The Forbidden History of Old Singapura” in issue #10).

My Schedule for the 2018 Singapore Writers Festival

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The 2018 Singapore Writers Festival is just around the corner.  As both a moderator and a featured writer, I have a lot more events this year than in 2017. Please drop by and say hello.

SCHEDULE

03 Nov, Saturday 8.00pm – 9.30pm (90 minutes) – Break Out: A Gala Reading

  • What: Reading
  • Venue: The Arts House, Gallery II
  • Featuring: Adam Aitken, Maria Galina, Law Lok Man, Louise 羅樂敏, Nina McConigley, Victor Fernando R. Ocampo, Sithuraj Ponraj, Yoko Tawada
  • Moderator: TBC

How does one stay true to one’s identity even as he/she crosses multiple cultures, languages and time zones? Is a person’s voice to be discovered, or a continuum of incremental influences? Whether whipping up new speculative realms or switching between linguistic codes, these writers exemplify the magpie sensibility. Don’t miss this special reading showcasing imaginative wordsmiths.


04 Nov, Sunday 7.00pm – 8.00pm (60 Minutes) – The Familiar and the Alien

  • What: Panel Discussion
  • Venue: The Arts House, Chamber
  • Featuring: Rachel Heng, Kass Morgan, Krishna Udayasankar
  • Moderator: Victor Fernando R. Ocampo

In imagining the future or an alternative reality, a writer must achieve resonance through setting and characterisation. How does one draw in the reader with enough known elements from the real world in order to make it relatable? Kass Morgan creates a dystopic series where Earth has been devastated by a nuclear apocalypse; Rachel Heng sets her novel in a near future in New York City where people can live for 300 years; and Krishna Udayasankar, a Singapore-based Indian author known for her modern retelling of Mahabharata through the novels Govinda, Kaurava and Kurukshetra.


05 Nov, Monday 8.30pm – 9.30pm (60 Minutes) – The Influence of Science Fiction on Modern Science

  • What: Classroom Series
  • Venue: The ArtsHouse, Living Room
  • Featuring: Victor Fernando R. Ocampo

What were the science fiction works that came before modern science? Published in 1818, Mary Shelley’s Frankenstein has been argued to be the first sci-fi novel. Since then, authors such as Ray Bradbury and Arthur C. Clarke have imagined what science could achieve through their writing. In this Classroom Talk, sci-fi author Victor Fernando R. Ocampo explores the relationship between literature and the sciences, and how science fiction has actually inspired, and continues to inspire, the science of today.


08 Nov, Thursday 7:30pm – 8:30 (60 minutes) – LONTAR Retrospective

  • What: Panel Discussion
  • Venue: SWF Bookstore
  • Featuring: Jason Erik Lundberg, Victor Fernando R. Ocampo, Christina Sng
    Moderator: Michelle Martin

BooksActually presents LONTAR Retrospective with Jason Erik Lundberg, Christina Sng, Victor Ocampo.


10 Nov, Saturday 10.30am – 11.30am (60 minutes) – Speculative Fiction as Moral Compass

  • What: Panel Discussion
  • Venue: The ArtsHouse, Blue Room
  • Featuring: Victor Fernando R. Ocampo, Rachel Heng, Nuraliah Norasid
  • Moderator: Khoo Sim Eng

From pursuing immortality to eradicating marginalization, speculative fiction reveals the deepest desires of humankind. How can the genre prompt readers to assess humanity’s moral progress, and to rethink what could be right or wrong? This panel brings together authors across science fiction and fantasy to discuss the potentialities of the genre.


11 Nov, Sunday 3:30 PM – 5:00 PM (90minutes) – Chicken Rice and Adobo: What We Love about the Philippines and Singapore

  • What: Reading and Panel Discussion
  • Venue: HideOut@Funan Showsuite, Junction of Hill Street and High Street. Free Event
  • Featuring: Aaron Lee, Claire Betita de Guzman, Lawrence Ypil, Heng Siok Tian, Felix Cheong and Victor Fernando R. Ocampo
  • Moderator: Eric Tinsay Valles

Description:
Increased trade and cultural exchanges between Singapore and the Philippines have led to shared experiences and stories in prose and poetry. This session continues a literary dialogue that has spawned joint anthologies and readings. Listen to the featured writers read excerpts of their works and join in the fellowship centered on what we love such as comfort food, cultural diversity and a good story.


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LONTAR Volume 10: Saying Goodbye To A Southeast Asian Institution

The first volume of LONTAR: The Journal of Southeast Asian Speculative Fiction came out in 2013. Named after “Lontar” (“Rontal” in Filipino), an Indonesian word for a bound palm-leaf manuscript from the fifth century BCE , it was meant to showcase Speculative Fiction writing in its myriad forms from all across Southeast Asia.

I was too late to contribute to its maiden issue, but my story “Entanglement” appeared in Volume 2. Two further works “Brother to Space, Sister to Time” and “Father is the Blood, Mother is the Wine” appeared in Volumes 6 and 9 respectively. Both ended up as the cover stories.

It’s really sad to see LONTAR go. There really isn’t any publication of it’s scope and breadth focused exclusively on Southeast Asia anywhere in the world.

It’s tenth and final issue is double-sized wonder featuring work by Dean Alfar, Vida Cruz, Drewscape,  Joses Ho, Patricia Karuningan, Gabriela Lee, Manish Melwani, Wayne Ree, Lakan Umali, Eliza Victoria, Topaz Winters, Cyril Wong, Kevin Martens Wong, and many others. Founding Editor Jason Erik Lundberg wanted to include the artwork made by award-winning artist Sonny Liew for the my book The Infinite Library and Other Stories.  I wrote a flash fiction piece called “To See Infinity In The Pages Of A Book” to accompany it.

Thank you to Jason, Poetry Editor Kristine Ong Muslim, Comics Editor Adan Jimenez, and publishers Epigram and Math Paper Press (Volumes 1 and 2) for all the hard work.

Let’s hope it won’t be too long before another publication picks up LONTAR’s legacy.

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Exceedingly Late Post: The 2017 Singapore Writer’s Festival Wrap-up

It’s almost time for the 2018 Writer’s Festival and I realize that I had never posted my pictures from last year’s run.

Top to bottom, left to right: (1) SWF Opening, (2) Outside the festival grounds, (3) Watching a panels while seated on LKY’s chair,  (4) With Junot Diaz, (5) “Writing between Genre Lines” panel with Desmond Kon Zhicheng-Mingdé (moderator), Aliette de Bodard, Jason Erik Lundberg and O Thiam Chin, (6) With Dean Alfar, (7) With Lavie Tidhar, (8) Crab dinner with Aliette, Jason, Nikki, Pat and Dean, (9) Peranakan lunch with Ken Liu, and (10) birthday dinner with Aliette.

Here are some pictures from my panels:

  • The Real Science in Science Fiction – with Shelly Bryant, Kevin Martens Wong, and Dave Chua moderating
    5 Nov, Sun 7:00 PM – 8:00 PM
    The Arts House, Living Room

  • A Brave New World: Speculative Fiction in Singapore – with Jon Gresham, Christina Sng , and Gene Tan moderating
    6 Nov, Mon 7:00 PM – 8:00 PM
    The Arts House, Chamber

Lastly, check out the special packaging for my book The Infinite Library and Other Stories  which was only available at the festival venue.

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“Brother to Space, Sister to Time” is on the honourable mention list of BNSS V3

My L33t Speak/JEJEMON story “I M D 1 IN 10” was in the 2016 volume of Best New Singapore Stories (Jason Erik Lundberg, editor).

This year, my Pinoy space-opera story from Lontar Volume 6 made it to the honourable mention list of the Best New Singapore Stories Volume 3 (Cyril Wong, Guest Editor). I was a bit surprised (but grateful!) to see this, because it is the most Hard Science Fiction work I had ever attempted.  Congratulations to all  that were selected or shortlisted!

“Brother to Space, Sister to Time” is lovingly dedicated to my brother Hector Francisco V. Ocampo and my sister Noreen Maria-Regina Ocampo Oconer. Strangely enough, despite the genre trappings, this is also the most personal story I have ever written. There is so much for a reader to discover between the lines.

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