Baby Steps with AI Art

A.I. generated art has been around for years. But tools released this year like DALL-E 2, Midjourney and Stable Diffusion — have made it possible for visual-art challenged people like myself to create fairly complex, abstract or photorealistic works simply by typing a few words into a text box.

These are my first attempts to illustrate some of my stories using Midjourney AI. Not incredible but not to shabby either. I could actually use some of these as e-book covers.

However, I am still on the fence about the ethics of A.I.-generated art. Are they a real emergent art form or a high-tech form of plagiarism? WDYT?

“Blessed are the Hungry” – this one came out the best. Funny how the rendered image looks like my youngest daughter.

“I ducked out of sight as soon as I saw the wolf-like mecha, shrouding my lantern with my shirt. Frightful as they were, I was mesmerized by their strange beauty. In the half-light of the Holosonic, their liquid-armor bodies shimmered purple, vermillion and bronze. I imagined these to be the colors of a sun that I had never seen, the burial clothes of a mother-star that we had abandoned so long ago.”

“Infinite Degrees of Freedom” – the blurry shape in the background is Midjourney unable to render a mythical sigbin monster in a spaceship corridor. Why does the kid from my story look like a young Rodrigo Duterte?

“From out of nowhere, Deo smelled an immensely foul odor, a rotting stench filled with the smell of death. A shape coalesced from the blackness, swiftly moving, gibbering, and utterly horrible. A sigben, a vicious half-dog/half-lizard chimera from ancient Philippine Myth had come for him. The impossible monster blocked his path and let loose a frightening roar-bark loud as a thunder clap.”

“Mene, Thecel, Pares” – My account expired before I could redo this with a steampunk Berlin in the background. The protagonist, Joseph Mercado (a fictionalized Jose Rizal) looks a bit cross-eyed.

“Joseph wished he didn’t have to remove his mask. Everywhere he went, people stared at him. Without his mask’s protection, the city’s xenophobic populace would peer from windows or point as he walked past whispering “fremde, außerirdische, ausländer, Asiaten, Japaner, Chinesischer Mann, Korean Mann” –- anything but his own ethnicity.”

“Carry That Weight” – This is supposed to be the older brother, Berto. The two blobs in the background are supposed to be megamouth sharks. Also, the boy’s hair shouldn’t look like that underwater. Must be industrial-strength aquanet.

The smaller boy watched as his brother fished out a pair of smart goggles from his shorts pocket and clipped his phone to his wristband. Berto’s body was dark and tightly muscled. He seemed naked save for the skintight nanotech body suit that kept his body warm and protected it from the sun’s radiation.

My SWF 2017 Schedule

SWF_LOGO

The Singapore Writers Festival is celebrating its 20th anniversary this year and I am happy to be part of an event that includes such literary and genre heavy weights such as Gemino Abad, Dean Alfar, Simon Armitage, Aliette de Bodard, Shelly Bryant, Junot Diaz, Ken Liu, Marjorie Liu, Isa Kamari, Jason Erik Lundberg, Ng Yi-Sheng, Tony Parsons, Edwin Thumboo , Cyril Wong and JY Yang to name just a few.

The festival’s theme this year is the Tamil word அரம் (Aram) whose meaning embodies goodness, equity and justice. Used extensively in older Tamil literature, it is a word has rich connotation and an ideal of goodness and generosity for humanity to aspire to. It is today a quality much needed in our increasingly complex and difficult world.

Some of the best Science Fiction stories also share this normative, Utopian vision and I hope to  be able to talk about it in my panels. You can find my SWF schedule here:

Lastly Math Paper press will be launching my book The Infinite Library and Other Stories along with The Story of Number Nine by Josiah Ng. I hope to see you all there!

New Titles by Math Paper Press III:
The Story of Number Nine and The Infinite Library
7 Nov Tue 8.30pm – 9.30pm
Gallery II, The Arts House                                                                                                   (Free Event)

Polash-Rotator

 

 

58 Comments and the Blessed Feels

JaquesStation

Writing from the fringes of both genre and mainstream literature, I’m always surprised when someone says that they’ve read one of my stories (no, really).  Two weeks week ago I found out that a high school in Las Vegas, Nevada used “Blessed Are The Hungry” (Apex #62) as a study text for literature class. After reading it,  58 students left comments for me at Apex’s website. Most were very positive, a few critical, some were even quite effusive — but wow, 58 comments! That’s definitely a new record for me.

Here are some of my favorites:

From Kirsten Tan – “I thought that this story was engaging, and it was an interesting take on what can happen when you don’t fight back and how something horrible can continue to be perpetuated. I enjoyed reading about how the father and his sons chose to fight back instead of “suffer in silence,” and how this chain of events led to everyone finding out what was actually happening. I also felt concern when the mother told Elsa that she couldn’t go with her father simply because she’d be a great “breeder.” she’d It sort of reminded me of A Handmaid’s Tale, because women’s fertility were considered highly important.”

From Jordan – “Your story was very well written. It was very descriptive because of all the details, figurative language pieces, similes, etc. you added to your story. I found the part where Elsa was talking about all of these gruesome words to her younger sibling very disturbing and I can’t believe she was teaching those kinds of words to him but wow, this story gave such a different vibe than all the rest (which I really enjoyed). The dystopian, space feel was super cool to read in a book because I have never read anything like this before!

From Ariel Bloch – “This story is gruesome yet beautiful. A dying ship travelling through never ending darkness, with a spark of warmth and hope igniting in the dark. This terrifying yet realistic interpretation of the future keeps your eyes glued to the screen, and makes you fear, perhaps, your own dark thoughts and selfishness. The figurative language used in this short story sharpened my vision as I read, and encouraged me to dive further into this cold world. The moment you begin reading you get a sense of the foul society that Elsa lives in, and the hopelessness that has devoured generations as they were born and buried in the dark vacuum of space.”

From Anna Wood – “From the beginning, I was immediately intrigued by the execution scene. It was shocking how children were there to witness it. As the story progressed, it only became more and more fascinating. I like how you included a bit of mystery with the missing page and unknown levels of the spaceship. It left me questioning. At the end, I was still left with many questions. It was a very well written short story that I would definitely read as a book.

Although I did not write this story with secondary school readers in mind, I am very pleased that it was selected for them. Moreover, I am ecstatic that most of these kids seemed to enjoyed it (despite the scary parts). This is really a wonderful gift that they have given me. Without knowing it, these kids from Las Vegas and their wonderful, albeit anonymous, teacher have provided me with the encouragement I really needed to complete this story arc as a novel. Thank you so much!

Ten Speculative Technologies in Philippine Science Fiction

Futur Manila 2

Basil Davenport, an author and literary critic for the New York Times, once said that “Science Fiction is fiction based upon some imagined development of science, or upon the extrapolation of a tendency in society.”[1]  Indeed the technologies presented in many science fiction stories examine the possibilities and implications of new devices, machinery and other practical  applications developed from scientific knowledge. Unique to the genre is the possibility that some of these speculative products of the imagination may become realities. Examples include now commonplace things such as space stations, mobile tablets, video-calling and moisture farming, all of which were once just fictional concepts. Occasionally,  the real-world technology gets invented first, and science fiction authors ponder and elaborate on how these developments may be used. More importantly, they speculate on how technology could affect the human condition, both for good and for ill.

Filipinos have been writing Science Fiction for 70+ years. Here are 10 interesting speculative technologies that are worth contemplating — especially since they were used in the context of a Philippine setting.

Note that this list is not comprehensive and selects only those technologies that are realistic (based on existing or near-future technologies), or based on far-out concepts that do not violate generally-accepted scientific laws. Excluded are technologies used purely for plot-device purposes or have no actual scientific basis (e.g. the gravity disruptors from Pocholo Goitia’s An Introduction to the Luminescent [2] and the undescribed time travel method used in Michael A.R. Co’s Waiting for Victory [3]). Wherever possible I have included links to the stories or to discussions about them.

  • The SentryServ Identity Database from Project 17 by Eliza Victoria [4].  In Victoria’s biometricsarresting 2013 near-future novel, a shadowy corporation called Sentry keeps track of all humans (and androids), collecting movement, personal records and other important, supposedly private information. This potentially sinister application of technology is probably very close to becoming reality (a few would argue that its already here with Facebook, Google, Tencent and WeChat). Here’s an article on Business Insider on 12 ways that companies spy on you.
  • Bio-Plasticine Millet and other artificial food from Milagroso by Isabel Yap
    download (2015) [5].  A balikbayan returns to his childhood home in Lucban Quezon and discovers that artificial, plastic-derived food was somehow being turned into the real thing. This concept of non-nature created food first appeared in an earlier story by the same author, called A List of Things We Know (2013) [6].  Edible plastic as a source of nutrition is also used in my story Blessed Are The Hungry (2014) [7]. The technology of artificial food is a growing new industry. Here are 19 food items that are actually not made from food.
  • The Heliodisc VTOL Aircraft from The Apollo Centennial by Gregorio Brilliantes [8]. In this image-640978-galleryV9-osph-640978.jpgdystophian short story from 1980, the Marcos dictatorship never fell, and Luzon (now a protectorate of the United States) is patrolled by these unusual VTOL aircraft: “Now the sky is clear but for the remote clouds and a couple of helidiscs humming in a wide arc over the fields. For a moment the fighter-bombers hang gleaming, in silhouette against the mountains, their two-man crews visible in the bubble canopies, before rising vertically, abruptly, cut off from view by the roof of the bus.” It’s interesting how Brilliantes’ fictional aircraft seems to describe the Avro Canada VZ-9 Avrocar, a proposed “UFO” fighter which was still classified when the story was written. A similar egg-shaped VTOL vehicle called an “Aerocopter” also figures in Crystal Gail Koo’s The Rooftops of Manila (2009), this time as a civilian transport to a new underground city.[9]
  • The Solar sails used by Skyharvester spaceships from Sky Gypsies by Timothy James 906339M. Dimacali (2007).  This story is about a space-faring Sama-Laut father and his son who gather rare minerals from asteroids using their solar-sailed ship the Karumarga.[10]  Solar sails, also called “light sails” or “photon sails”, are a type of spacecraft propulsion using radiation pressure exerted by sunlight on large mirrors. As the author correctly posited, in the near future, these may be the best way for humanity to traverse the solar system. NASA recently announced the first such deployment of a solar sail,  the Near-Earth Asteroid Scout probe, which will be launched in 2018.
  • Diseases as a Service – In A Retrospective of Diseases for Sale by Charles Tan download (2)(2009) [11], the author goes one step beyond disease mongering with a corporation that sold ailments online (instead of the pharmaceuticals to treat them). The most interesting — and original — part of this concept was how the disease was alleged to be delivered: the vector was the email confirming purchase which contained an encrypted  psychosomatic code which could “mentally activate various proteins in the human body that replicated the effects of the disease you ordered.” While no government would allow such a service to operate, it is not impossible to speculate that deadly diseases are already being bought and sold by criminals and terrorists on the Dark Web today.
  • Xenotransplantation – In 1959’s The Heart of Mathilda (Ang Puso ni Matilde) by xenotransplantation-resizedNemesio E. Caravana [12], a brilliant young surgeon saves the life of his beloved by performing a dangerous and unethical cross-species heart transplant. Xenotransplantation is the transplantation of living cells, tissues or organs from one species to another. Although it is a promising avenue for treating final-stage organ failure, the technology is fraught with ethical issues — not the least of which is the creation of hybrid monsters (which was the subject of this very early Filipino Science Fiction serialized novel).  Here’s a brief history of this controversial technique.
  • Experimental Gerontology – Life extension and human augmentation seems to be a forever-young-727666favorite topic of many Filipino Science Fiction authors. Practically every available SF book in the Philippine oeuvre has at least one story that uses it as a trope. In fact, the earliest known Filipino Science Fiction story,  1945’s Doktor Satan by Mateo Cruz Cornelio [13] involves the development of a serum that could restore the freshly dead back to life.  A similar formula called Bio Regain was the subject of Vince Torres’ 2013 short story, The Cost of Living [14] which gave those who drank it a lust for life-extending blood. Interestingly, there is  a controversial medical technique called Parabiosis which temporarily connects the circulatory system of an old and a young subject to rejuvenate an old person’s body with youthful blood. The Starvation Enzyme in F.H. Batacan’s brilliant Keeping Time (a short story and later a novel)[15], originally from 2007,  also falls under this category. The enzyme was originally developed as a means to control obesity and diabetes.  It was added to the world’s public water systems to disastrous consequences.  Similarly, in  Sharmaine Galve’s The Paranoid Style (2009), the public water supply is tainted with a drug cocktail like to those used to treat ADHD patients. This converts the unsuspecting populace into literally a “polite” society [16].
  • Cybernetic Augmentation –  The other way to extend life is to go the Transhumanist 122on45route of using Bionics. In Fortitude (again by Eliza Victoria, 2016) [17], many characters live with cybernetic transplants including arms and lungs. In Dancing in the Shadow of the Once (2013) by Rochita Loenen-Ruiz [18], a woman uses media-based augmentations to recount the stories of a world that was now lost.  Dominique Gerald Cimafranca’s 2007 story Facester, revolves around a procedure called “Cara Nuevo” that used an artificial enzyme, laser sculpting and radiation treatments to let people physically change their faces [19]. Naturally, identity theft was one of the inevitable unfortunate applications.  Here’s an article about a few individuals who have gone beyond wearable technology towards a post-human future. For those not inclined to replacing body parts with electronics, there is the somewhat less radical practice of bio-hacking.
  • Robot Companions – Robots are no longer Science Fiction and scientists are looking tumblr_inline_npu9tbWBYJ1r9js4k_500at augmenting them using Artificial Intelligence (AI) to provide empathy and  assistance to people in a socially acceptable manner. The question that both Science Fiction and Technology writers have asked is: how human do these machines need to be? Also, how far can or should people take relationships once the so-called Uncanny Valley is crossed? In Haya Makes a HUG by Erica Gonzales (2009), a sentient program tries to find out what a human hug means by building a humanoid from spare parts. [20] In Raymond P. Reyes’ The Romeo Robot (2016), a spoiled but lonely young man begs his father for a robot boyfriend only to abandon his faithful companion once his social anxiety is overcome. [21] Likewise, in Surrogate (2016) by  Daniel Carlos Tan, a young woman from a future Davao cannot handle the fact that her recently deceased mother had programmed herself into a Personal Surrogate Droid.[22] Here’s an article exploring the future of relationships, love and sex in the time of robots.
  • Digital Torture – As a predominately Catholic country, the subjects of Heaven and olklutunw0lkk6nvwglwHell are never far from the minds of most Filipinos. In my story Panopticon (2014) I explored the possibility of being trapped in a digital afterlife, tortured endlessly by a vengeful former lover.[23].  The Technological Singularity may still be faraway but using neural interfaces for recreating the proverbial tortures of hell  is rapidly becoming a reality.  “Remote Neural Monitoring, Control and Manipulation” (RNMCM) refers to the usage of specific technologies to record and/or alter the electrical activity of neurons in the human body. In Prisoner 2501 by John Philip Corpuz (2011), the Olympus MetroComm of an unnamed dystophian future city use RNMCM, gaslighting and isolation to torture prisoners into admitting terrorist affiliations. Elon Musk, a major proponent of neural interfaces,  has spoken against  the abuse of this technology for this type of interrogation.

One of the troubling aspects about chronicling the ten technologies above (and reading the twenty-three stories where they were used) is that these were all presented in a more or less negative context.  There is little of the positive world view in which scientific progress has made the world a better place. Whether this is due to: an innate fear of technology, a reflection of the zeitgeist, or simply that there are not enough Filipino Science Fiction stories yet — or, perhaps all three — is up for debate.

There is also that unique fear that plagues Science Fiction writers.  Namely, that their stories will be judged on whether what they wrote comes to pass or not, with no thought to literary merit.  This is a mistaken notion.  The task of Science Fiction is not to predict the future. Rather, it is to contemplate all possible futures. Simply put, Filipino Science Fiction Writers are meant to dream of every future for Filipinos.

For now, it’s a dark future that many of us are dreaming.

 

Notes:

[1]  Davenport, Basil (1955). Inquiry Into Science Fiction; New York: Longmans, Green and Co. p. 15.

[2] Goitia, Pocholo (2005) “An Introduction to the Luminescent”. Philippine Speculative Fiction Volume 1, ed. Alfar, Dean Francis; Manila: Kestrel DDM

[3] Co, Michael A.R.  (2006) “Waiting for Victory”. Philippine Speculative Fiction Volume 2, ed. Alfar, Dean Francis;  Manila: Kestrel DDM

[4] Victoria, Eliza (2013) Project 17; Manila; Visprint Inc.

[5] Yap, Isabel (2015) “Milagroso“; Tor.com published by Tor Books

[6] Yap, Isabel (2013) “A List of Things We Know”, Diaspora Ad Astra: An Anthology of Science Fiction from the Philippines eds. Flores, Emil M. & Nacino, Joseph Frederic F. ; Manila, The University of the Philippines Press

[7] Ocampo, Victor Fernando R. (2014) “Blessed Are The Hungry“, Apex Magazine vol. 62, ed. Sigrid Ellis; Lexington; Apex Book Company

[8] Brilliantes, Gregorio C. (1980), “The Apollo Centennial”, The Apollo Centennial: Nostalgias, Predicaments & Celebrations; Manila, National Bookstore

[9] Koo, Krystal Gail “The Rooftops of Manila”(2009), Philippine Speculative Fiction Volume 4, eds. Alfar Dean Francis & Alfar, Nikki; Manila, Kestrel DDM

[10] Dimacali, Timothy James M.  (2007) “Sky Gypsies“; Manila, Philippine Speculative Fiction Volume 3 eds. Alfar Dean Francis & Alfar, Nikki, Kestrel DDM

[11] Tan, Charles (2009), “A Retrospective of Diseases for Sale“; The Virtuous Medlar Circle presented by Anna Tambour. Also appears on  Philippine Speculative Fiction Volume 4, eds. Alfar Dean Francis & Alfar, Nikki; Manila, Kestrel DDM

[12] Caravana, Nemesio E. (1959), The Heart of Mathilda (Ang Puso ni Matilde); Manila, Aliwan Magazine

[13] Cornelio, Mateo Cruz (1945) Doktor Satan; Manila, Palimbagang Tagumpay

[14] Torres, Vince (2013), “The Cost of Living”;  Diaspora Ad Astra: An Anthology of Science Fiction from the Philippines eds. Flores, Emil M. & Nacino, Joseph F. ; Manila, The University of the Philippines Press

[15] Batacan, F.H. (2007) “Keeping Time“, Philippine Speculative Fiction Volume 3, eds. Alfar, Dean Francis & Alfar, Nikki; Manila, Kestrel DDM

[16] Galve, Sharmaine “The Paranoid Style”(2009) Philippine Speculative Fiction Volume 4, eds. Alfar Dean Francis & Alfar, Nikki; Manila, Kestrel DDM

[17] Victoria, Eliza “Fortitude” (2016) Science Fiction: Filipino Fiction for Young Adults eds. Alfar, Dean Francis & Yu, Kenneth; Manila, University of the Philippines Press

[18] Loenen-Ruiz, Rochita, “Dancing in the Shadow of the Once” (2013) Bloodchildren: Stories by the Octavia Butler scholars, ed. Nisi Shawl; Seattle,  Book View Cafe

[19] Cimafranca, Dominique Gerald, “Facester” (2007) Philippine Speculative Fiction Volume 3, eds. Alfar Dean Francis & Alfar, Nikki; Manila, Kestrel DDM

[20] Gonzales, Erica, “Haya Makes a HUG” (2009) Philippine Speculative Fiction Volume 4, eds. Alfar Dean Francis & Alfar, Nikki; Manila, Kestrel DDM

[21] Reyes, Raymond P. ,”The Romeo Robot” (2016) Science Fiction: Filipino Fiction for Young Adults  eds. Alfar, Dean Francis & Yu, Kenneth; Manila, University of the Philippines Press

[22] Tan, Daniel Carlos ,”Surrogate” (2016) Science Fiction: Filipino Fiction for Young Adults  eds. Alfar, Dean Francis & Yu, Kenneth; Manila, University of the Philippines Press

[23] Ocampo, Victor Fernando, “Panopticon” (2009) Philippine Speculative Fiction Volume 9, eds. Drillon, Andrew & Tan, Charles; Manila, Kestrel DDM

[24] Corpuz, John Philip,  “Prisoner 2501” (2011) Philippine Speculative Fiction Volume 6, eds. Alfar, Nikki & Osias, Kate; Manila, Kestrel DDM

 

Top image reworked slightly from original digital art by BP Sola. All other pictures taken from the Internet and belong to their respective copyright owners.

For #ThrowbackThursday

For #ThrowbackThursday, #TBT I am sharing the cover and the first page of Hu Shaoyan’s Chinese translation of “Blessed Are the Hungry” which originally appeared in the March 2015 issue of Science Fiction World. Western readers may find the cover artwork familiar (“Spring Day is Coming” by Liu Junwei) as it also appeared as the cover of Clarkesworld issue 105 later that year.

“Exit Quiapo Station” in Maximum Volume 2

“Exit Quiapo Station” my Robert Altman inspired story set on a Filipino-run space elevator will be in Maximum Volume 2. Thank you so much to editors Dean Francis Alfar and Sarge Lacuesta!

Like “I m d 1 in 10” (at The Future Fire), this work is also quite experimental in structure, playing with the placement of dialogue and mixing up tenses. “Exit Quiapo Station” explores several themes that could affect us in the near future such as commercial space travel,  the rise of the ultra-super rich, the decoupling of sex from reproduction, the acceptance of non-traditional families, and the socio-biological future of call center agents.

In line with my recent stories, there is a Pinoy mythical element in this “mundane” Sci-Fi piece. This time it’s a witch — a mangkukulam who hails from the “magic market”  outside the old Quiapo church, and a bottle of her gayuma love potion.

Exit Quiapo Station

Space Elevator image c/o of io9.

Philippine Speculative Fiction Volume 9 is Out!

Philippine Speculative Fiction Volume 9 has been released on Amazon, Flipreads, Kobo and iTunes. ! This is my second outing with the PSF series (the first, in 2011 was my first published story ever – Resurrection). Thank you to Andrew Drilon, Charles Tan and the good folks of Flipside Publishing.

PSF #9 has my cyberpunk revenge story “Panopticon”. Here’s a short excerpt:

“After a while, I staggered out of the toilet. Night had fallen and I looked around the deserted alley, wondering where I was supposed to go. A bicycle had been propped on a wall just in front of the lavatory entrance. As soon as I stepped towards it, the bike began to flash its lights, illuminating layers of advertising graffiti with a frail white fluorescence. The lights kept blinking until I put my hand on its bamboo handlebars.

A message popped on its digital odometer:

“Thank you for choosing a Shimano Intelligent Bicycle Mr. Salazar. The seat has been automatically adjusted to your height. Your route has already been pre-selected. Please climb aboard and simply pedal.”

I heaved myself up to the gel-padded saddle and kicked off. The bike guided me through the dark and narrow alleys that snaked through the labyrinth of tenements. Everything in New Tundon lay in the shadow of its sole skyscraper, the neon-lit Torre Paraiso.

I passed through the slums like a ghost. Through the yawning windows I saw people leading seemingly normal lives — playing mah-jongg or the card game pusoy dos, eating dinner or simply gathered around their living rooms, plugged into a legion of electronic devices. This was a town of old people, permanently idled; permanently trapped in the amber of unstructured time. Not a single child was in sight.”

PSF9_cover

Cover design by Kevin Roque.

“Infinite Degrees of Freedom” will be in “Science Fiction: Filipino Fiction for Young Adults”

My first YA story “Infinite Degrees of Freedom” was was accepted in “Science Fiction: Filipino Fiction for Young Adults”.

This far-future coming-of-age tale is about a boy trying to bond with his estranged (and distant) father while on a road trip to salvage nano-tech from old battlefields.

This work also features a lesser known Filipino mythical creature called a “Sigben” or “Sigbin” which has been described by various sources as a bloodthirsty Chupacabra-like chimera that’s half dog, half reptile or half goat (more from Wikipedia). Yes, its an obscure Visayan monster in a space opera setting. So sue me.

Before this story I had no idea how hard it actually was to write YA fiction. I’m happy I did and I might write more in the future if people like this.

Thanks once again to editors Dean Francis Alfar and Kenneth Yu ! ‪

Sigben

Short Interview for The Future Fire

Here’s a mini-interview for the editors of #TheFutureFire:

1. What does I m d 1 in 10 mean to you?

“1 m d 1 in 10” is a story about what people (like me) are willing to give up when they move to another country. In essence it explores how migrants trade their identities for things like financial stability, safety and the illusion of greener pastures.

What happens when a future immigration process becomes so brutal and competitive that you have to surrender important things like your control over your children or your own sense of right and wrong just to get in.

I wrote this story as a way of addressing many of my (heretofore unspoken) fears about living where I do now.

2. What attracted you to Speculative Fiction?

Fiction writing is, by definition, “Make Believe”, despite its realist trappings — all of it is speculative to me. I just happen to like mine with space ships and dragons (because space ships and dragons dammit!).

3. When did you learn Latin?

I don’t actually speak Latin.I got interested in it after I fell in love with Umberto Eco’s works. I do, however, collect strange and humorous Latin phrases such as “Quantum materiae materietur marmota monax si marmota monax materiam possit materiari?” (hint: it involves wood chucks and the amount of wood they could conceivably chuck).

4. What are you writing next?

I am currently finishing up another SF Short story that deals with the differences between individual and shared memories. I’ve also started sketching out the outline for a SF novel that I hope to write (….and finish someday).

Dodo Pop

My experimental Jejemon story “I m d 1 in 10” now at The Future Fire

My experimental SF story “I m d 1 in 10” is now up at The Future Fire (with amazing if a bit disturbing illustrations by Eric Asaris).

This epistolary piece is my homage to Consolatio Philosophiae by Boethius as applied to the modern white collar migrant worker. It’s written partly in SMS speak and a Filipino-English argot called Jejemon. I have always been fascinated by how spelling drifts in orthography, particularly when mediated by new communications technologies.

Although it’s not the easiest thing to read (on many levels) and it’s nothing like my previous story from earlier this month, it’s definitely a story that needs to be told.

Looking at the comments on my Twitter (@victorocampo) I am happy that people liked it.

Dodo Pop

Illustration by  Eric Asaris (@MisfitToyArt)