LONTAR Volume 10: Saying Goodbye To A Southeast Asian Institution

The first volume of LONTAR: The Journal of Southeast Asian Speculative Fiction came out in 2013. Named after “Lontar” (“Rontal” in Filipino), an Indonesian word for a bound palm-leaf manuscript from the fifth century BCE , it was meant to showcase Speculative Fiction writing in its myriad forms from all across Southeast Asia.

I was too late to contribute to its maiden issue, but my story “Entanglement” appeared in Volume 2. Two further works “Brother to Space, Sister to Time” and “Father is the Blood, Mother is the Wine” appeared in Volumes 6 and 9 respectively. Both ended up as the cover stories.

It’s really sad to see LONTAR go. There really isn’t any publication of it’s scope and breadth focused exclusively on Southeast Asia anywhere in the world.

It’s tenth and final issue is double-sized wonder featuring work by Dean Alfar, Vida Cruz, Drewscape,  Joses Ho, Patricia Karuningan, Gabriela Lee, Manish Melwani, Wayne Ree, Lakan Umali, Eliza Victoria, Topaz Winters, Cyril Wong, Kevin Martens Wong, and many others. Founding Editor Jason Erik Lundberg wanted to include the artwork made by award-winning artist Sonny Liew for the my book The Infinite Library and Other Stories.  I wrote a flash fiction piece called “To See Infinity In The Pages Of A Book” to accompany it.

Thank you to Jason, Poetry Editor Kristine Ong Muslim, Comics Editor Adan Jimenez, and publishers Epigram and Math Paper Press (Volumes 1 and 2) for all the hard work.

Let’s hope it won’t be too long before another publication picks up LONTAR’s legacy.

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My first Short Story Collection – The Infinite Library and Other Stories

I am very happy to announce that Math Paper Press in Singapore is publishing my first collection of short stories. There will be 17 altogether plus a foreword by Lontar Journal founding editor Jason Erik Lundberg. The cover art is by Eisner-award winning artist Sonny Liew.

The Infinite Library and Other Stories will be launched at the Singapore Writer’s Festival this 7 November (Tuesday) 8.30 pm – 9.30 pm at the Gallery II, The Arts House. This will be a Festival Pass event.

“Victor’s keen observational eye represents the clarity of the outsider—the Filipino writing about Singapore, and about the Philippines while apart from it, and about the world and the universe as an emissary of humanity—and you can almost see his verbal abilities stretching with the languidness of a well-fed housecat. Whether through the Ellisonian stylistic gymnastics of “Dyschronometria, or the Bells are Always Screaming”, or the hallucinogenic Phildickian leetspeak of “I m d 1 in 10”, or the faux-academic jargon of “An Excerpt from the Philippine Journal of Archaeology, 4 October 1916”, he pushes the limits of form and trope, all in the service of telling us about ourselves, like a shaman guiding you through a fever dream.

Let his stories, both experimental and conventional, illuminate your way through the darkness, as only someone with a foot in two worlds can do.” – from the foreword by Jason Erik Lundberg,

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