The Gaudy Boy Reading + Mini-Panel on Publishing

Join us on Thursday, 14 July 2002 at 07:30-9pm at the Crane Club, 281 Joo Chiat Road (Osprey Room).

Featuring: Laetitia Keok, myself and Monique Truong’s THE SWEETEST FRUITS Eventbrite Tickets: $5.00 ($6.32 with taxes and fees)

An imprint of Singapore Unbound, Gaudy Boy publishes Asian authors from around the world. Our growing list includes such terrific writers as Monique Truong, Alfian Sa’at, Lawrence Lacambra Ypil, Victor Fernando R. Ocampo, Jhani Randhawa, Jenifer Sang Eun Park, and Tania De Rozario, among others. Our books have been reviewed in Publishers Weekly and Necessary Fiction; noted in The Paris ReviewPoets & WritersLitHubElectric LiteratureThe MillionsMs. MagazineTimeOutArtsEquator, and Words Without Borders; and long- or shortlisted for The Believer, Lambda Literary, and Association for Asian American Studies awards. Come hear our authors and editors read from their work and talk about publishing with Gaudy Boy.

Victor Fernando R. Ocampo is the author of the International Rubery Book Award-shortlisted The Infinite Library and Other Stories (Math Paper Press, 2017 ; US edition: Gaudy Boy, 2021) and Here be Dragons (Canvas Press, 2015), which won the Romeo Forbes Children’s Story Award in 2012. 

Laetitia Keok is a writer and editor from Singapore. Her work has been nominated for the Pushcart Prize, and published in Wildness Journal and Hobart Pulp, amongst others. She edits for Gaudy Boy and Sine Theta Magazine. You can find her at laetitia-k.com 

With brilliant sensitivity and an unstinting eye, Monique Truong’s novel The Sweetest Fruits circumnavigates the globe, introducing three unforgettable women separated by geography and culture but connected by their love for the Greek-Irish author Lafcadio Hearn (1850-1904). Gaudy Boy’s edition comes with a new afterword by the author.

“The Infinite Library And Other Stories”: A “My Book Of The Year” Selection

Singapore Unbound

Singaporean writers, artists, and thinkers, living in Singapore and abroad were asked by the editors of Singapore Unbound for their favorite read of the year. Thank you to Singapore Literature Prize winner Ng Yi-Sheng for selecting my book.

Ng Yi-Sheng, poet, playwright, and fictionist. The Infinite Library and Other Stories by Victor Fernando R. Ocampo (Singapore: Math Paper Press, 2017). This may be the best collection of spec fic stories I’ve ever read by a Singapore-based author. The tales are wonderfully baroque, from a steampunk vision of Filipino national hero José Rizal at a naturist colony to a post-apocalyptic tale of a man cultivating crops and a digital transmitter in the world’s last library. Ocampo takes risks with form—stories are told with multiple endings, in the form of archaeological surveys and in SMS-speak—but manages to make all his tales share a single universe, with the same immortal characters and references (including the eponymous library) popping up in different plots. (I’m also intrigued by how Ocampo complicates our conceptions of Singaporean literature: he began writing in Singapore and is active in the local literary scene, but his fiction reflects his background as a cosmopolitan citizen of the Philippines. He’s got a south-south biculturalism thing going on, and it’s awesome.)

Coincidentally, my favorite Singaporean book of 2018 is Yi-Sheng’s exquisitely surreal Lion City Stories (Epigram, 2018).

You can read the rest of SP Blog’s 5th Annual Books Round-up here.

Where Her Shawl Ends And Her Cat Begins

Deven Philbrick, a writer, essayist and prose editor for the Seattle Review covers “The Infinite Library And Other Stories” for Singapore Unbound:

The distinction between literary and genre fiction has been the topic of much debate in recent years. How the distinction ought to be made and whether the distinction is ultimately useful at all are questions with which many people interested in contemporary fiction are deeply engaged. Although a consensus on the answers certainly does not exist, one significant result of the questions having been posed is a reluctance to dismiss universally so-called genre writers as peddlers of formulaic fictions designed for quick consumption and simple, mass appeal. Science-fiction, for example, is now more than ever taken seriously as literary art. Its potential for imagining alternative realities, for conceiving of other possibilities for organizing a world, makes it a genre with the capacity for profound philosophic investigation. Writers like Samuel R. Delany, Ursula K. Le Guin, Octavia Butler, Thomas Disch, and Joanna Russ are increasingly accepted as towering figures of English-language letters. Victor Fernando Ocampo, author of The Infinite Library and Other Stories, has written a book that puts him among their rank.

Fundamentally, The Infinite Library and Other Stories is a book about possibility, limitation, and the boundary between them. In imagining alternative possibilities and stretching them to the point of snapping, Victor Fernando Ocampo engages in an act of profound political importance, aesthetic significance, and philosophical rigor that is a serious pleasure to ingest. ”

I am so honored and thrilled to get this killer review. I was both stunned and humbled after reading it. You can read the whole review here: Where Her Shawl Ends And Her Cat Begins (which is a line from The Old Blue Notebook, a story which first appeared in Daily Science Fiction).

Thank you to Deven and to Singapore Unbound editor Jee Leong Koh!

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