Finding the Time to Write when you Have a Full-time Job

This article first appeared on my channel on Medium last 23 June 2023.

I have always struggled to find time for writing my fiction. If I wasn’t at a full-time job, I was running my technology consultancy or boot-strapping another start-up, all the while doing my share of the housework and raising our kids.

For many writers — whether seasoned or aspiring, the daunting challenge of finding time to write while juggling everything else can feel like trying to fit an elephant into a teacup. Yet, amidst the chaos of deadlines and obligations, there’s a secret that I’ve discovered: you can’t actually find time, you have to carve it out and claim it. Let me tell you how.

The Procrastination Puzzle

Many times, I catch myself putting my writing off, to the end of the day, the end of the week, or worse, to the tail-end of the next hectic holiday in my calendar. If we really love the act of writing, why on earth do we put off to the very last minute? Perhaps it’s the fear of facing a blank page? Or is it perhaps the allure of an endless doom scroll online that’s too difficult to resist?

Regardless of the reasons, recognizing our procrastination patterns and why we put off writing is the first step toward overcoming them. Look through my Medium articles for my suggestions on how to deal with writer’s block. TikTok too hard to resist? Use doom scrolling time as a reward for completing a time-based writing goal.

The next crucial step is to consciously put aside the time to write. Here are some of my suggestions on how to carve out some real time:

Rise and Scribble: Embrace the early morning hours when the world is still groggy, and your creative mind is fresh. Set the alarm, brew a strong cup of coffee, and allow the words to flow before the day commandeers your attention.

Lunchtime Liberation: Break free from the clutches of mundane office lunches! Use your midday break to escape to a nearby park or cozy café, armed with a trusty notebook or laptop. Indulge in a sandwich with a side of prose or a bowl of noodles sprinkled with metaphors. Your colleagues will just think you are having a working lunch.

Commute Chronicles: Transform your daily commute into a fertile ground for inspiration. Instead of mindlessly scrolling through TikTok, observe the world around you. Eavesdrop on snippets of conversation, imagine the lives of fellow commuters, and jot down these fleeting glimpses of humanity. Your train ride might just become a writer’s dream. Another helpful tip — you can actually edit on your phone by emailing yourself your manuscript. The change in screen size will help you spot errors faster.

Stealthy Scribbling: Do you get writing ideas at awkward times? Use a small notebook or note pad application on your phone to quickly record your ideas. These notes will prove very valuable next time you need writing ideas.

After-Hours Haven: Instead of surrendering to mind-numbing television marathons, designate specific evenings for uninterrupted writing. Dim the lights, fuel your imagination with a writer’s snack (or good coffee, tea, or the libation of your choice), and let your imagination run wild. Apologies to Netflix, but you have a story to craft.

In the dance between a full-time job and a burning desire to write, time management is the choreography that sets us free. By understanding why we put off our writing, and employing creative strategies to carve out writing moments, we can unravel the enigma of productivity.

So, dear aspiring writers, let us don our pens like swords and march into battle against the ever-ticking clock. Remember, with a sprinkle of humour and a touch of audacity, the words will find their way to the page, and the world will be richer for it. We all have stories inside us. Now, go forth and conquer the teacup-sized elephant of time!

PS. If you haven’t done so yet, please follow me on Medium. Thank you!

The Infinite Library back in print in SG

Very pleased to announce that The Infinite Library and Other Stories is now back in print in Singapore! You can get it online at https://lnkd.in/gf78f56Z

“Ocampo’s collection is simultaneously a meaningful addition to the genre of speculative fiction and a powerful manifesto laying out the possibilities of Southeast Asian literature.“ – Elise J. Choi, book review for Necessary Fiction

Late Post: Pocket Cities in Singapore Speculative Fiction

Thank you to Olivia Ho for including my short story “Big Enough for the Entire Universe” in her article “Pocket Cities in Singapore Speculative Fiction”. This story first appeared in the OG Fish Eats Lion anthology (Math Paper Press, 2012) edited by the inimitable Jason Erik Lundberg . 

Read about it here.

The Uses of Storytelling

Postscript: Thank you to Kirsten Han and Alysha Chandra for inviting me to speak on the panel “The Uses if Storytelling” with playwright Alfian Sa’at and Kelly Leow, who co-produced the AWARE podcast saga at Singapore’s first ever Independent Media Fair. Thank you also to my publisher Jee Leong Koh of Gaudy Boy press for hosting the well-attended event. The fair was organized by Singapore Unbound, a New York City-based literary arts organization that promotes freedom of expression and equal rights, with Sydney-based literary magazine Mekong Review

The original post:

What is the role of storytelling in journalism? In what ways are art and propaganda the same or different? Please join us at the Projector X: Picturehouse for an author reading and discussion, titled ‘The Uses of Storytelling’, to be held from 4.30 – 6.00pm at the Singapore Independent Media Fair on 1 July 2023. Admission is free! Register here – https://lnkd.in/gYwgHZpJ

Remember that a free, independent media allows the public to make informed decisions, hold leaders accountable and hear a diversity of opinions free of corporate and government influence.

Brought to you by Mekong Review and Singapore Unbound

Event Details:

How is storytelling related to journalism and other media products? Is there any difference between art and propaganda? What kind of stories make the most impact on their readers/listeners?

Panelists: Alfian Sa’at (Playwright, Poet, and Writer), Kelly Leow (Co-Writer and Co-Producer, Saga, the AWARE Podcast), and Victor Fernando R. Ocampo (Speculative Fiction Author)

Moderator: Koh Jee Leong (Founder, Singapore Unbound, and Publisher, Gaudy Boy)

Teaching Interactive Fiction at CAP

Thank you to Singapore’s Creative Arts Program (CAP) and the Ministry of Education for inviting me to run a workshop on Interactive Fiction with some of the most gifted and creative secondary school students in Singapore.

The workshop was held at the Nanyang Academy of Fine Arts last 30 May 2023. I had the pleasure of working with 16 students whose ages ranged from 13 to 17.

The objectives were:

  • Learn what is Interactive Fiction, it’s forms and history
  • Understand the principles of interactive storytelling
  • Learn how to structure interactive fiction
  • Be able to build a branching narrative

Along the way we talked about electronic literature, hypertext, adventure-based and puzzle-based text games, choice-based interactive fiction, visual novels, conversational agents as well as Web 3.0 interactive fiction such as Art Roleplay Games. We also discussed everything from Jorge Luis Borges’ “The Garden of Forking Paths” (which inspired the concept of hypertext), to early interactive fiction narratives like Will Crowther’s Colossal Cave Adventure, Trubshaw and Bartle’s Multi-User Dungeon, and Douglas Adams’ Hitchiker’s Guide to the Galaxy, to visual novels like Steins:Gate, Doki Doki Literature Club and Disco Elysium. We even managed to talk about local Singaporean projects such as Catherine Lim’s very early internet novella The Leap of Love (Lycos Asia, 2000) and Benjamin Chee and Wayne Rée’s Internal Damnation, an interactive fiction companion piece to their seminal Work-Life Balance graphic novel (Difference Engine, 2022)

I was pleasantly surprised that one of the kids had actually read and liked my blockchain ride and die story on Fish Eats Lion Redux. Happy that my work isn’t as obscure as I think it is.

Looking forward to seeing one of these kids develop a crazy good Interactive Fiction narrative in the future!

2123: Filipinas en cien años, según la Inteligencia Artificial

Not all were asleep in the night-time of our grandparents’.” —The Philosopher Tasio, in Noli Me Tangere.

National hero Jose Rizal wrote “Filipinas dentro de cien anos” (“The Philippines a century hence”), a socio-political essay written in four parts, for the magazine La Solidaridad, from September 1889 to-January 1890. In it he attempted to predict the country’s future by outlining several scenarios for how the Philippines might evolve over the next century.

As a technology practitioner, I had wondered how an AI instructed to answer like Jose Rizal and (updated with inputs from historian) Yuval Noah Harari would answer the prompt: “What would the Philippines be like in 100 years?” I have reproduced the answer below without any modifications or corrections. Of course, given how generative AI like ChatGPT generates their answers from limited and skewed existing information, this answer needs to be taken with a VERY big grain of salt.

However, the resulting short essay is both thought-provoking and honestly, sad — in the very same way that Gregorio Brillantes’ seminal short story, “Apollo Centennial”, was. Will we ever see change? Even an AI doesn’t seem to think so.


The Philippines in 2123: Exploring the Top 5 Challenges of its Future

Introduction:

Looking ahead to the year 2123, the Philippines faces a myriad of challenges that could significantly shape its future. This speculative essay examines the top five issues that are likely to confront the country: economic disparities, entrenched political dynasties, the persistent intertwining of Church and State, increasing encroachment by China, and a high net emigration rate. While the road ahead is riddled with complexities, drawing lessons from Philippine history and its regional neighbors allows us to make realistic projections on the potential trajectory of the nation.

  1. Economic Disparities and Inequality:

Despite making strides in economic growth, the Philippines continues to grapple with significant income disparities. This issue is rooted in historical factors such as colonial exploitation, widespread corruption, and a lack of inclusive policies. The persistence of an unequal distribution of wealth poses a challenge to social cohesion, leading to social unrest, political instability, and a potential threat to the country’s stability.

Historical examples, such as the Hukbalahap rebellion in the mid-20th century, highlight the consequences of unaddressed economic disparities. If left unaddressed, the Philippines may face continued regional social unrest, exacerbating the potential for a failed state scenario, particularly the possibility of splintering the nation into separate polities.

  1. Entrenched Political Dynasties:

The prevalence of political dynasties in the Philippines is a deeply ingrained issue that has hindered democratic development and contributed to systemic corruption. The concentration of power within certain families perpetuates nepotism, patronage politics, and a lack of policy continuity. This phenomenon poses a significant obstacle to effective governance and public service delivery.

Lessons from Philippine history, such as the Marcos regime’s abuse of power and rampant corruption, underscore the dangers of uncontrolled political dynasties. Without comprehensive political reforms and a genuine commitment to democratic principles, the Philippines may continue to struggle with governance challenges, impeding progress and perpetuating a feudal mentality within its polity.

  1. Inability to Separate Church from State:

The persistent intertwining of Church and State in the Philippines presents another challenge to modern governance and societal progress. Despite a constitutional provision mandating the separation of Church and State, religious institutions continue to exert significant influence on political affairs, policy-making, and social norms.

Philippine history, notably the influence of the Catholic Church during the Spanish colonial period and the People Power Revolution in 1986, exemplifies the consequences of religious interference in politics. The inability to strike a delicate balance between religious freedom and secular governance may hinder the country’s ability to adapt to a rapidly changing world and contribute to societal divisions, potentially undermining stability.

  1. Increasing Threat from China:

The geopolitical dynamics of the region have a profound impact on the Philippines’ future. China’s assertive posture in the South China Sea raises concerns about territorial disputes, economic coercion, and potential military confrontation. The Philippines, with its strategic location, its rich marine resources – not to mention its special relationship with the United States, finds itself in the crosshairs of this power play.

Looking to the experiences of neighboring countries like Vietnam and Singapore, which has faced similar challenges, we can anticipate that the Philippines will need to carefully navigate its relationship with China to safeguard its sovereignty and economic interests. Failure to do so may result in a compromised national security apparatus, reduced access to vital resources, and limited opportunities for economic growth.

  1. High Net Emigration Rate:

The persistent phenomenon of high net emigration poses a significant challenge to the Philippines’ future. Economic opportunities, political instability, and social unrest have historically driven waves of Filipino emigration, leading to brain drain and the loss of skilled human capital. This exodus deprives the country of talent, stifles economic growth, and further exacerbates inequality.

The experiences of neighboring countries like the Philippines’ diaspora in the United States and the Middle East provide valuable insights into the potential long-term consequences of high net emigration. To mitigate this challenge, the Philippines needs to address the root causes of emigration (such as poorly planned and managed infrastructure), invest in education and job creation, and establish favorable conditions for talent retention.

Will the Philippines Become a Failed State?

While the challenges discussed above are formidable, it is essential to approach the question of a failed state scenario with caution. The future of the Philippines hinges on the ability of its leaders and society to tackle these issues head-on, drawing from historical lessons and regional experiences.

The Philippines has demonstrated resilience in the face of adversity throughout its history, including successful democratic transitions and significant economic growth. However, the path towards progress and stability requires concerted efforts to address economic disparities, reform political structures, ensure secular governance, protect national interests, and invest in human capital.

Ultimately, the fate of the Philippines rests in the hands of its people and leaders. By embracing inclusive governance, fostering economic development, promoting social cohesion, and actively engaging in regional diplomacy, the Philippines has the potential to overcome these challenges and forge a future that ensures stability, prosperity, and avert failure.

In conclusion, the Philippines will face a myriad of challenges in the coming century. While the path ahead is uncertain, valuable lessons from Philippine history and regional experiences offer a roadmap for addressing these issues. By embracing inclusive policies, reforming political structures, promoting secular governance, protecting national interests, and investing in human capital, the Philippines can strive to overcome these obstacles and avoid the specter of a failed state.

Disclaimer: This hypothetical essay was written entirely by ChatGPT and does not reflect my own views on the future of the Philippines, a topic which I feel is much more complex than what is possible to contain in such a short piece.

Web 3.0 : The Future of Publishing and Content Creation

I firmly believe that the only way to grow Southeast Asian Speculative Fiction is to create a new center of literature in the region, away from the Anglo-US sphere of influence. Perhaps Web 3.0 can help build a decentralized infrastructure for regional writers and artists, while providing a means to fairly compensate them for their work.

Watch this space for future announcements!

This article first appeared on my channel on Medium last 17 April 2023.

The advent of Web 3.0 is a game-changer, much like the discovery of the internet in 1996. It offers exciting opportunities for writers, publishers, editors, and readers, not the least of which is the potential for developing new hybrid art and writing forms that bring a new mode of transmediality and intermediality. Unfortunately, making sense of how it will revolutionize the way we write, publish, and consume written content has been mostly buried in hype, disinformation, and hard-to-understand jargon.

Web 3.0: A Brief Introduction

Web 3.0 is the next iteration of the internet, characterized by decentralization, collaboration, and immutability of content. It is built on top of an electronic ledger called a “blockchain,” which enables a decentralized internet that is not controlled by big tech companies, but owned and governed by its users. It is essentially the democratization of the publishing industry.

Web 1.0 involved desktops connected to the internet. Web 2.0 was centred on mobile phones and apps, including social media apps that allowed us to leave comments on content. Web 3.0 takes it a step further by enabling writers to publish their work directly on the blockchain, where it is permanently stored and can be accessed by any reader with an internet connection and a mobile wallet.

Smart contracts ensure that authors earn crypto rewards for contributing to the network based on the quality of their content and the engagement it receives. Decentralized platforms like Steemit and Hive allow writers to publish their work without intermediaries such as publishers or literary agents. This will force traditional publishing models to evolve and present both opportunities and challenges for new revenue streams.

Collaborative Writing Platforms

Web 3.0 also enables the development of collaborative writing platforms that can allow multiple authors, editors, and even readers to contribute to a single work. For instance, Textile can be used as a decentralized platform that enables writers to collaborate on a single novel. Each writer’s contribution is recorded on the blockchain to ensure that all contributors receive proper attribution, and the final work is transparent and tamper-proof.

Blockchain and Writing

Blockchain technology enables a new breed of hybrid textual artworks that are limited only by the authors’ imagination. Kalen Iwamoto is a Japanese-Canadian conceptual crypto writer and artist who converts blockchain processes into rules for writing and inserts poetry in web3 spaces (e.g., her “Few Understand” series[1]). On the publishing side, blockchain technology can be used to authenticate original work, manage royalties, and prevent plagiarism. This technology also offers an unprecedented level of security and trust, ensuring that writers receive proper credit for their work and are paid fairly for their contributions.

NFTs and Literature

Non-fungible tokens (NFTs) have become increasingly popular in the art world, but they also have potential use cases in writing and the publishing industry. NFTs can be used to monetize literature and create new revenue streams for writers. There are already various NFT marketplaces that already allow you to mint your own poem as an NFT[2]. An eBook can be minted as an NFT, providing digital proof of ownership (or at least access rights, depending on the jurisdiction) that cannot be erased or rescinded by an Apple or Amazon. However, it’s important to note that NFTs aren’t the art or content themselves, it’s more accurate to say they are simply the digital certificates of ownership.

A note on Sustainability

This has been an unfortunate misconception. Not only does a Web 3.0 approach mitigate carbon emissions, it also creates a whole new world of privacy and security by design that cuts down on the need for even more physical infrastructure to support the tens of billions of attachments sent around the world every day.

The Future of Writing and Publishing?

The impact of Web 3.0 on writing and publishing is potentially far-reaching. It is crucial for writers, publishers, and readers to understand and adapt to this change. Web 3.0 offers a new level of transparency, security, and trust, making it a powerful tool for writers, publishers, and readers. It is up to us to embrace it and make the most of it.


[1] https://kalen-iwamoto.com/portfolio/few-understand/

[2] https://postergrind.com/how-to-sell-a-poem-as-a-nft-easy-guide/

Very Late Post: Rachel’s Now Reading Review of TILAOS

This review was actually posted 5 years ago. I had meant to RT it but for some reason, it got buried under all my other work. I am rectifying this grievous error now.

Thank you so much to Rachel’s Now Reading for your kind words. Please subscribe to her page to get book reviews on a wonderfully eclectic range of reading material.

“This is a book review of Victor Fernando R. Ocampo’s The Infinite Library and Other Stories. It’s a book containing 17 speculative fiction short stories somewhat linked together to make a whole.

If you’re a sci-fi fan, this is definitely the book for you. The presence of queer elements helped as I always love an inclusive book. I thoroughly enjoyed reading this collection and hope you will too!”

You watch her great review here.

Take note that the Youtube link to purchase a copy is outdated. You can get one (and other fine Gaudy Boy Books) at Singapore Unbound instead.

University of London’s Arts Week 2023

Thank you so much to London-based Malaysian editor, writer, and theatre practitioner Zhui Ning Chang for inviting me to be a guest speaker at Birkbeck, University of London’s Arts Week 2023 yesterday. We had a great conversation about the themes of liminality, displacement and death in my book The Infinite Library and Other Stories, as well as my writing process, and the state of speculative fiction in Southeast Asia today. Thank you also to the very lively audience for all the thoughtful questions.

As requested, here are the links to where it’s available in the UK – Bookshop.org and Amazon UK

In North America it’s available from Singapore Unbound, BAM!, The Book House of Stuyvesant Plaza, Powell’s, Sandman Books, Wild Rumpus, Barnes & Noble and Walmart

In Singapore, its available from Kinokuniya

In Australia it can be ordered from Dymocks

Writing Across Worlds: In Conversation with Victor Fernando R. Ocampo” 

Together in Eclectic Dreams

I am so thrilled to announce that I finally get to share a TOC with the amazing #NeilGaiman! 

⚙️ Eclectic Dreams,  A Milford Anthology ⚙️ is a book that collects some of the amazing fiction that has come out of this long-running workshop over its many years of its existence (including one of my favourite stories, my fellow 2019 resident Tiffani Angus ‘s “Mama Leaf”). Apart from Neil and Tiffani, other contributors include the wonderful Jacey Bedford , Val Nolan, David Langford and many others. You can read a great review here – https://www.runalongtheshelves.net/blog/2023/3/13/eclectric-dreams-the-milford-anthology-edited-by-j-w-anderson-pete-w-sutton-and-liz-williams

Proceeds from this book will fund Milford’s bursary scheme for writers of colour and financially disadvantaged writers. Thank you so much to Liz Williams , Pete Sutton and Jim Anderson for all your work to make this happen! Please support this project and order a copy here – https://www.milfordsf.co.uk/anthology.htm or here – https://linktr.ee/milfordanthology