Web 3.0 : The Future of Publishing and Content Creation

I firmly believe that the only way to grow Southeast Asian Speculative Fiction is to create a new center of literature in the region, away from the Anglo-US sphere of influence. Perhaps Web 3.0 can help build a decentralized infrastructure for regional writers and artists, while providing a means to fairly compensate them for their work.

Watch this space for future announcements!

This article first appeared on my channel on Medium last 17 April 2023.

The advent of Web 3.0 is a game-changer, much like the discovery of the internet in 1996. It offers exciting opportunities for writers, publishers, editors, and readers, not the least of which is the potential for developing new hybrid art and writing forms that bring a new mode of transmediality and intermediality. Unfortunately, making sense of how it will revolutionize the way we write, publish, and consume written content has been mostly buried in hype, disinformation, and hard-to-understand jargon.

Web 3.0: A Brief Introduction

Web 3.0 is the next iteration of the internet, characterized by decentralization, collaboration, and immutability of content. It is built on top of an electronic ledger called a “blockchain,” which enables a decentralized internet that is not controlled by big tech companies, but owned and governed by its users. It is essentially the democratization of the publishing industry.

Web 1.0 involved desktops connected to the internet. Web 2.0 was centred on mobile phones and apps, including social media apps that allowed us to leave comments on content. Web 3.0 takes it a step further by enabling writers to publish their work directly on the blockchain, where it is permanently stored and can be accessed by any reader with an internet connection and a mobile wallet.

Smart contracts ensure that authors earn crypto rewards for contributing to the network based on the quality of their content and the engagement it receives. Decentralized platforms like Steemit and Hive allow writers to publish their work without intermediaries such as publishers or literary agents. This will force traditional publishing models to evolve and present both opportunities and challenges for new revenue streams.

Collaborative Writing Platforms

Web 3.0 also enables the development of collaborative writing platforms that can allow multiple authors, editors, and even readers to contribute to a single work. For instance, Textile can be used as a decentralized platform that enables writers to collaborate on a single novel. Each writer’s contribution is recorded on the blockchain to ensure that all contributors receive proper attribution, and the final work is transparent and tamper-proof.

Blockchain and Writing

Blockchain technology enables a new breed of hybrid textual artworks that are limited only by the authors’ imagination. Kalen Iwamoto is a Japanese-Canadian conceptual crypto writer and artist who converts blockchain processes into rules for writing and inserts poetry in web3 spaces (e.g., her “Few Understand” series[1]). On the publishing side, blockchain technology can be used to authenticate original work, manage royalties, and prevent plagiarism. This technology also offers an unprecedented level of security and trust, ensuring that writers receive proper credit for their work and are paid fairly for their contributions.

NFTs and Literature

Non-fungible tokens (NFTs) have become increasingly popular in the art world, but they also have potential use cases in writing and the publishing industry. NFTs can be used to monetize literature and create new revenue streams for writers. There are already various NFT marketplaces that already allow you to mint your own poem as an NFT[2]. An eBook can be minted as an NFT, providing digital proof of ownership (or at least access rights, depending on the jurisdiction) that cannot be erased or rescinded by an Apple or Amazon. However, it’s important to note that NFTs aren’t the art or content themselves, it’s more accurate to say they are simply the digital certificates of ownership.

A note on Sustainability

This has been an unfortunate misconception. Not only does a Web 3.0 approach mitigate carbon emissions, it also creates a whole new world of privacy and security by design that cuts down on the need for even more physical infrastructure to support the tens of billions of attachments sent around the world every day.

The Future of Writing and Publishing?

The impact of Web 3.0 on writing and publishing is potentially far-reaching. It is crucial for writers, publishers, and readers to understand and adapt to this change. Web 3.0 offers a new level of transparency, security, and trust, making it a powerful tool for writers, publishers, and readers. It is up to us to embrace it and make the most of it.


[1] https://kalen-iwamoto.com/portfolio/few-understand/

[2] https://postergrind.com/how-to-sell-a-poem-as-a-nft-easy-guide/

Very Late Post: Rachel’s Now Reading Review of TILAOS

This review was actually posted 5 years ago. I had meant to RT it but for some reason, it got buried under all my other work. I am rectifying this grievous error now.

Thank you so much to Rachel’s Now Reading for your kind words. Please subscribe to her page to get book reviews on a wonderfully eclectic range of reading material.

“This is a book review of Victor Fernando R. Ocampo’s The Infinite Library and Other Stories. It’s a book containing 17 speculative fiction short stories somewhat linked together to make a whole.

If you’re a sci-fi fan, this is definitely the book for you. The presence of queer elements helped as I always love an inclusive book. I thoroughly enjoyed reading this collection and hope you will too!”

You watch her great review here.

Take note that the Youtube link to purchase a copy is outdated. You can get one (and other fine Gaudy Boy Books) at Singapore Unbound instead.

University of London’s Arts Week 2023

Thank you so much to London-based Malaysian editor, writer, and theatre practitioner Zhui Ning Chang for inviting me to be a guest speaker at Birkbeck, University of London’s Arts Week 2023 yesterday. We had a great conversation about the themes of liminality, displacement and death in my book The Infinite Library and Other Stories, as well as my writing process, and the state of speculative fiction in Southeast Asia today. Thank you also to the very lively audience for all the thoughtful questions.

As requested, here are the links to where it’s available in the UK – Bookshop.org and Amazon UK

In North America it’s available from Singapore Unbound, BAM!, The Book House of Stuyvesant Plaza, Powell’s, Sandman Books, Wild Rumpus, Barnes & Noble and Walmart

In Singapore, its available from Kinokuniya

In Australia it can be ordered from Dymocks

Writing Across Worlds: In Conversation with Victor Fernando R. Ocampo” 

Together in Eclectic Dreams

I am so thrilled to announce that I finally get to share a TOC with the amazing #NeilGaiman! 

⚙️ Eclectic Dreams,  A Milford Anthology ⚙️ is a book that collects some of the amazing fiction that has come out of this long-running workshop over its many years of its existence (including one of my favourite stories, my fellow 2019 resident Tiffani Angus ‘s “Mama Leaf”). Apart from Neil and Tiffani, other contributors include the wonderful Jacey Bedford , Val Nolan, David Langford and many others. You can read a great review here – https://www.runalongtheshelves.net/blog/2023/3/13/eclectric-dreams-the-milford-anthology-edited-by-j-w-anderson-pete-w-sutton-and-liz-williams

Proceeds from this book will fund Milford’s bursary scheme for writers of colour and financially disadvantaged writers. Thank you so much to Liz Williams , Pete Sutton and Jim Anderson for all your work to make this happen! Please support this project and order a copy here – https://www.milfordsf.co.uk/anthology.htm or here – https://linktr.ee/milfordanthology

Writing on Medium

As someone who writes professionally about technology and writing, I’ve decided to make my non-fiction work available under my own name instead of under a corporate by-line.

Medium is an excellent platform to showcase your work and reach a wider audience. With its vast user base and diverse range of topics, it provides a unique opportunity to connect with like-minded individuals and engage in meaningful discussions. In my case it’s about the latest trends in emerging technologies like Web 3.0 and how this will affect the writing and publishing industries.

If you haven’t done so yet, kindly follow me on Medium. Please also leave comments, subscribe to my feed, or share it with your friends and colleagues. Your support is what keeps me and my always-hungry smol sales dog (pictured below) motivated to create more high-quality content. Together, we can continue to learn and discover new things. Thank you for being a part of my community!

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What Every Writer Needs to Know About Cyber Security

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Creating a Faith or Advocacy-based AI Chatbot

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Digital Identity Demystified:
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What Digital Wallets Need to consider Regarding Authentication

What are the critical authentication methods that e-wallets typically use and which of them are the best in terms of useability and security?

Please help feed the smol sales dog. Follow me on Medium.

“Paghasik ng Munting Katha” workshops at SLS

It was a privilege and a pleasure to run two storytelling workshops last 26 February and 26 March for the Migrant Writers of Singapore with SingLit Station. These folks are among the most talented writers I have ever met and are absolutely unmatched in heart.

We Filipinos are natural storytellers. It’s our way of sharing and building our communities, our faith and deepening our connections with one another. Salamat sa inyong lahat!

“Here be Dragons” part of SG Lit Coursework

Very pleasantly surprised to learn that Here be Dragons is part of the literature coursework at a secondary school here in Singapore. Thank you to my friend and ex-Yahoo! colleague Janet Leong for the heads up!

Here Be Dragons (© Canvas Press 2015) was the winner of the 2012 Romeo Forbes Children’s Story Writing Competition, one of the most important awards for Children’s literature in the Philippines. It was published in 2015 by CANVAS with Illustrations by New York-based Surrealist Jon Jaylo (who spent nearly 3 years painting each of the artworks in oil on canvas), and a Filipino translation by four-time Palanca Awardee Rhandee Garlitos. In 2018 it was included in the collection of the Internationale Jugendbibliothek (The International Youth Library) in Munich, which holds the world’s largest collection of children’s literature.

Roots & Refractions: Bridging MaKatha Traditions

Thank you to the UST Faculty of Arts & Letters and the UST MaKatha Circle for inviting me to share my writing journey at their ” Roots & Refractions: Bridging MaKatha Traditions” event last 27 February. I really enjoyed interacting with so many young writers.

Keep reading what makes your heart sing. Fill yourself up with all the beauty that life throws your way. And keep writing — because young creatives like you are our best defense against all the terrible and ugly things darkening our reality. Once you realize what this world is worth, you will fight to defend it.

Write a new world for all of us…

#MaKaATIN 🌟🇵🇭

Up next, meet Victor Fernando R. Ocampo, a Filipino author of speculative and experimental fiction stories!💗

A fellow at the Milford Science Fiction Writers’ Conference in the UK and the Cinemalaya Ricky Lee Film Script Writing Workshop in the Philippines, he currently resides in Singapore where he was also a writer-in-residence at the Jalan Besar at Sing Lit Station. His works have been shortlisted for the International Rubery Book Award in 2018, and he won the Romeo Forbes Children’s Story Award in 2012.

Victor’s most recognized stories include:

THE INFINITE LIBRARY AND OTHER STORIES. Three Filipino siblings fighting an enemy that uses words as weapons, sigbin monsters in space,  a banned children’s book hiding a secret that could save a doomed generation ship, a slow-motion disaster turning people into living math equations,?! 🤯 Name it and this book surely has it. Grab this collection of stories that goes beyond what our mind deems possible and be carried away by all its mystical twists and turns.

Grab a copy:

HERE BE DRAGONS. Ever wished to have a map that would make life easier? 🗺 Well,

Isabella met the perfect guy that makes a map of just about anything! Would she take the risk

when she would face her biggest nightmare? 😰

Read online here: https://lookingforjuan.com/products/here-be-dragons

You can also find more of his works free to read online below, as recommended by the author himself!

“Blessed are the Hungry” , a Filipino space opera set on a generation ship, first appeared in Apex Magazine issue 62 in July 2014 (Editor: Sigrid Ellis) – https://apex-magazine.com/short-fiction/blessed-are-the-hungry/

“Synchronicity”, his initial stab at Weird Fiction, first appeared in issue #507 of Bewildering Stories online magazine in December 2012 (Editor: Don Webb). It won a Mariner Award in the short story category that same year. – https://worldsf.wordpress.com/2013/05/14/tuesday-fiction-synchronicity-by-victor-fernando-r-ocampo/

“An Excerpt from the Philippine Journal of Archaeology (04 October, 1916)”, a Lovecraftian metafiction story told in footnotes, first appeared in Likhaan Journal 8 by the U.P. Institute of Creative Writing in December 2014. –  https://journals.upd.edu.ph/index.php/lik/article/viewFile/5072/4577

“The Easiest Way to Solve a Problem” is a short story about adding the consciousness of expat Filipino PMET workers to a massive corporate AI in Singapore. It appeared last April, 2022 in the book Get Luckier: An Anthology of Philippine and Singapore Writings   (Singapore: Squircle Line Press, 2022), edited by Migs Bravo Dutt, Claire Betita de Guzman, Aaron Lee Soon Yong, and Eric Tinsay Valles. – https://www.get-luckier-anthology.com/victor-fernando-r-ocampo

“I m d 1 in 10” , his experimental story inspired by Anicius Manlius Severinus Boëthius’ De Consolatione Philosophiae, first appeared in the July 2014 issue of The Future Fire (Editor: Djibril al-Ayad). It was written with Latin, L337, IM and SMS speak, emoticons and a Filipino argot called Jejemon. –  http://futurefire.net/2014.30/fiction/imd1in10.html

Immerse yourselves in Victor Ocampo’s works with this playlist!🎶

#MakaATIN

#MKC2223

#MakaTraditions

#GrowWithMKC🌱

🎨: Anjellyca Villamayor, and Roanne Aludino

✍🏻: Chrystal Cariño, Lauren Ainella Tagle, and Sophia Mendoza

Late Post: Celebrating Rizal Day with the Philippine Embassy and Penguin Random House

Most Filipinos don’t know that the Philippine’s national hero Jose Rizal had quite a few connections to Singapore. In fact in 1896, Rizal’s friends urged him to save himself by remaining here, but sadly, it was not to be…

Thank you to the Philippine Embassy in Singapore and Penguin Random House Southeast Asia for hosting today’s celebration of Jose Rizal’s life, writing and his connection to Singapore. Chargé d’ Affaires (and author) Dr. Emmanuel R. Fernandez, his wife Alice and Penguin authors Noelle De Jesus, Migs Bravo Dutt, Mookie Katigbak Lacuesta and Sarge Lacuesta, as well as yours truly, read excerpts from our national hero’s poetry, letters and novels

Afterwards, I moderated a lively panel that discussed Rizal’s influence on Filipino writers, writing from the diaspora versus from the homeland, speculations about a hypothetical third novel, and other interesting topics. If host and cultural attaché Rosellie L. Bantay had not gently reminded us of the time, we would have probably talked for the whole afternoon.

Thanks to Patricia Mulles for the photos below.

Special thanks to Penguin publisher Nora Nazarene Abu Bakar for inviting me! Have a meaningful Rizal Day!

“Outside the Western Anglophone Hegemony” Connecting Flights panel at the SFWA’s Nebula Awards’ Conference

Please join us online at our “Outside the Western Anglophone Hegemony” Connecting Flights panel at the Science Fiction and Fantasy Writers Association’s Nebula Awards Conference this coming Oct. 8, at 6:00am Pacific | 3:00pm Norway | 6:30pm India | 9:00pm Singapore and the Philippines, with Samit Basu, Lavanya Lakshminarayan, Vida Cruz Borja, myself, and and moderator Regina Kanyu Wang.
We’ll talk about our experiences as Asian writers who publish in the English language and in US markets. We’ll also compare our writing craft, share tropes and traditions, and celebrate our very varied influences. Looking forward to having you all along for a fun ride.
The SFWA Blurb:

The SFWA Events Team is excited to announce our new Connecting Flights panels to serve as a bridge between the 2022 Nebula Conference Online voyage and the 2023 Nebula Hybrid Conference! Our first Connecting Flight is “Outside the Western Anglophone Hegemony: A Conversation on Writing by Asian Writers” on October 8, 2022 @ 6:00am Pacific | 3:00pm Norway | 6:30pm India | 9:00pm Singapore.

Join us as we highlight the experiences of Asian writers who publish in the English language and US markets. Asian writers from across the globe will compare their craft, share tropes and traditions, and celebrate their influences. This panel will be moderated by Regina Kanyu Wang and feature Victor Fernando R. Ocampo, Vida Cruz, Lavanya Lakshminarayan, and Samit Basu.

Connecting Flight live panels will provide more of the fantastic craft and professional development content for which the Nebula Conference is known. If you already have a 2022 conference registration, you’ll be able to tune in live for this panel or watch it later in our archive. If you do not, we have good news! We have dropped the price to $75 for the remainder of our 2022 Nebula Conference Online voyage. Register here: events.sfwa.org

Registration includes our archive of nearly 50 recorded panels from the May 2022 conference weekend, invitations to join the live tapings of Narrative Worlds when they resume late fall, attendance to our Weekly Writing Dates for nonmembers (they are free for SFWA members), and special professional development and networking events throughout the year, such as this first Connecting Flight. Registrations are valid through April 2023.

If you have any questions, please ask us at events@sfwa.org. Don’t miss this Connecting Flight aboard the Airship Nebula on October